Entertainment
John Stamos and Lori Loughlin Completely Nail Viral ‘Beckham’ Dance Trend on November 18, 2023 at 5:39 pm Us Weekly

John Stamos and Lori Loughlin have a friendship like none other — and their latest reunion is further proof.
Stamos, 60, tackled the now-viral TikTok trend from Netflix’s Beckham on Friday, November 17, with Loughlin, 59, by his side. The former Full House costars adorably danced to Kenny Rogers and Dolly Parton’s “Islands in the Stream” duet — just like David Beckham and Victoria Beckham did to close out their Netflix doc.
In Beckham, David, 48, and Victoria, 49, were seen grooving together in their kitchen in the final scene of the four-part documentary series, which dropped last month. “Islands in the Stream” played in the background, as Victoria placed her hand on David’s back. The video has since gone viral on social media, with many couples — including Kevin Bacon and Kyra Sedgwick — trying to pass the “Beckham test.”
On Friday, it was Stamos and Loughlin’s turn. Stamos, wearing a brown two-piece, kicked off the clip solo as he danced in his backyard while singing along to the track. The camera panned to reveal Loughlin standing behind Stamos before she joined in on the fun. As Loughlin started to feel the beat, Stamos couldn’t help but chuckle and pointed at her spot-on attempt.
“How’d we do?” Stamos captioned his TikTok post.
John Stamos and Lori Loughlin. Courtesy of John Stamos/TikTok
Stamos and Loughlin initially met when they were cast as love interests Jesse Katsapolis and Rebecca Donaldson, respectively, on Full House, which aired from 1987 to 1995. By the end of the sitcom’s run — and its Netflix spinoff, Fuller House, which ran from 2016 to 2020 — Jesse and Rebecca were happily married with three kids. (The TV characters welcomed twins Nicky and Alex during the OG series before adopting daughter Pamela in the revival.)
Working together soon sparked a lifelong friendship between Stamos and Loughlin.
“She’s my Sandra Dee from Grease, the good girl with a kind heart who always makes me feel upbeat when I’m around her,” Stamos gushed of Loughlin in his memoir, If You Would Have Told Me, which was released in October. “She’s one of the few women I have spent day after day with and still always look forward to seeing her again. I know what makes her laugh, we get each other and we have the sort of true friendship that’s supposed to be the foundation of a great, lasting relationship.”
While Stamos admitted in his book that he thought about dating Loughlin, they never did. He went on to marry Rebecca Romijn in 1998 before they split in 2004. Stamos later wed Caitlin McHugh in 2018 before they welcomed son Billy, now 5, two months later.
Loughlin, for her part, has been married to Mossimo Giannulli since 1997. They share daughters Isabella, 25, and Olivia Jade, 24.
John Stamos and Lori Loughlin have a friendship like none other — and their latest reunion is further proof. Stamos, 60, tackled the now-viral TikTok trend from Netflix’s Beckham on Friday, November 17, with Loughlin, 59, by his side. The former Full House costars adorably danced to Kenny Rogers and Dolly Parton’s “Islands in the
Us Weekly Read More
Entertainment
Selling Your Soul in Hollywood: The Hidden Cost of Fame

By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”
Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.
That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”
This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.
“We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.
Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?
As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”
Entertainment
California Bans AI Clones from Replacing Real Talent

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
California Draws a Hard Line: No More AI Clones
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
- Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
- No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
- The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.
Actors Celebrate a Major Victory
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
A New Chapter for the Entertainment Industry
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
Conclusion: Human Talent Takes Center Stage
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Entertainment
Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
- Business4 weeks ago
Disney Loses $3.87 Billion as Subscription Cancellations Surge After Kimmel Suspension
- Entertainment4 weeks ago
What the Deletion Frenzy Reveals in the David and Celeste Tragedy
- Entertainment4 weeks ago
Executive Producer Debut: How Celia Carver Created Festival Hit ‘Afterparty’
- Health4 weeks ago
Russia Claims 100% Success With New mRNA Cancer Vaccine
- Business3 weeks ago
Why Are Influencers Getting $7K to Post About Israel?
- Health4 weeks ago
Why Did Gen Z QUIT Drinking Alcohol?
- Advice4 weeks ago
How AI Is Forcing Everyone Into the Entrepreneur Game
- Entertainment3 weeks ago
Keith Urban and Nicole Kidman Split After 20 Years as Actress Files for Divorce