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How Aidan’s Tighty-Whities and Carrie’s Dress Pay Homage to ‘SATC’ Romance on August 12, 2023 at 10:13 pm Us Weekly

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More than 22 years later, Aidan and Carrie are still looking good — they even wore their Sex and the City outfits to remind Us.

In Max’s And Just Like That season 2, episode 9, Aidan (John Corbett) is chilling at their AirBnB in his tighty-whities while Carrie (Sarah Jessica Parker) wears a gauzy, transparent dress that shows off her black underwear. They receive a notice that they’re being evicted for staying longer than the building’s 30-day policy, prompting Carrie to consider a big move to make room for Aidan in her life.

The costume choice mirrors their looks in Sex and the City season 4, episode 14, in which Carrie comes home to find Aidan in his undies (ever the consistent man, Aidan still wears white briefs), and she’s wearing a transparent dress with hot pink underwear underneath.

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The official And Just Like That Twitter account responded to a tweet pointing out the homage on Saturday, August 12, writing, “It’s all in the details.”

Carrie and Aidan’s Relationship Timeline: From ‘SATC’ to ‘And Just Like That’

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While the outfits are the same, the Carrie’s headspace is distinctly different. In the 2001 episode, the columnist worries if she’ll be able to settle down into a quiet life with Aidan while the 2023 Carrie is in a rush to find a new apartment with room for Aidan and his three sons after his refusal to set foot in her old place.

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Aidan was shocked to discover that Carrie moved back into the apartment where they used to live — and he even owned for a period of time — two decades prior. As he tried to renovate the space, the crumbling walls suddenly reflected their relationship falling apart, and when he brought Carrie home in And Just Like That, he refused to return to the place where their romance hit its lowest point.

“At the restaurant I just thought, ‘How great, this feels really great. We’re back where we started.’ But this is where we ended. With the f–king wall I couldn’t break through and those floors … remember the floors I redid? That’s all bad. It’s just— it’s all in there,” he tells Carrie.

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Breaking Down Every ‘And Just Like That’ Love Interest From ‘SATC’ Revival

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“I guess time doesn’t heal everything,” she says.

Instead of walking away from Carrie, Aidan suggests they get a hotel room. They’ve been going strong ever since, even leading Carrie to ponder if she made a big mistake by choosing the late Big (Chris Noth) over Aidan the first time around.

Showrunner Michael Patrick King has hinted that Aidan is back for the long-haul. “I didn’t bring Aidan back to fail,” King teased in a June interview with The New York Times.

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New episodes of And Just Like That drop Thursdays on Max.

Max (2) More than 22 years later, Aidan and Carrie are still looking good — they even wore their Sex and the City outfits to remind Us. In Max’s And Just Like That season 2, episode 9, Aidan (John Corbett) is chilling at their AirBnB in his tighty-whities while Carrie (Sarah Jessica Parker) wears a 

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Kim and Kanye’s Daughter North West Faces Criticism Over Her Tattoos

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North West, the 12-year-old daughter of Kim Kardashian and Kanye West, is under the spotlight once again — this time for showing off a collection of tattoos that set social media on fire. In recent photos and videos circulating online, North was seen with several arm designs, including tributes to her parents and fashion-inspired symbols. While fans were quick to admire her bold style, not everyone was impressed.

Critics argue that the tattoos — even though they appear to be temporary — are another example of celebrity children being pushed into adult trends too early. Comments flooded social media platforms, with some users saying Kim allows North too much freedom, while others defended the reality star’s parenting approach, praising her for letting her daughter explore creativity and self-expression.

“Kids should be kids,” one commenter wrote, reflecting a broader sentiment among parents online. Meanwhile, supporters pointed out that North comes from one of the most fashion-forward families in the world and that experimenting with style is part of her upbringing.

Kim Kardashian has not directly addressed the controversy, but she has often spoken about encouraging her children to express themselves authentically. North, already known for her viral TikTok appearances and fashion collaborations, seems unfazed by the criticism.

At just 12, North West continues to blur the lines between youth culture and celebrity identity — reminding the public that in the Kardashian–West household, individuality isn’t just allowed, it’s celebrated.

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Jennifer Lopez’s Ex Fires Back: “You Are the Problem”

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Ojani Noa Accuses J.Lo of Cheating After “Never Been Loved” Comments

Jennifer Lopez is once again at the center of a media storm — but this time, it’s her first husband, Ojani Noa, turning up the heat. Following Lopez’s recent Howard Stern Show interview, in which she claimed she has “never been truly loved” by any of her exes, Noa has publicly accused the superstar of cheating and playing the victim.

In the viral Instagram post that has now spread across major outlets like TMZ and New York Post, Noa didn’t hold back.

“Stop putting us down. Stop putting me down with your victim card,” he wrote. “The problem is not us. Not me. The problem is you. You’re the one who couldn’t keep it in your pants.”

“You Chose Fame and Lies Over Love”

Noa and Lopez were married briefly from 1997 to 1998, before her rise to Hollywood superstardom. In his explosive statement, he accused her of being unfaithful during their marriage, claiming she prioritized fame over their relationship.

“You have been loved a few times. You’ve been married four times. And have had countless relationships in between,” Noa continued. “You decided to lie, to cheat on me. You begged me to keep the marriage intact to avoid bad press.”

Noa described himself as “faithful, honest, and loving,” saying he uprooted his life and career to support Lopez at the beginning of her entertainment journey. “I left my family, my friends, everything behind for you,” he wrote, “but once fame came calling, you left me behind.”​

Lopez Silent Amid Growing Backlash

As of now, Jennifer Lopez has not publicly responded to Noa’s allegations. During her Howard Stern interview, the singer and actress claimed her former partners “weren’t capable” of loving her, saying, “It’s not that I’m not lovable… it’s that they’re not capable.”

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Her remarks were widely interpreted as referencing all of her ex-husbands — including Marc Anthony, Cris Judd, and Ben Affleck — but it was Noa who reacted first and most forcefully. His comments have ignited widespread debate online, with many questioning whether Lopez’s honesty came at the expense of others’ reputations.

Public Response and Media Fallout

The online reaction has been intense, with social media users split between defending Lopez’s right to share her truth and blasting her for allegedly rewriting history. Meanwhile, entertainment analysts note that the controversy adds to an increasingly turbulent year for the singer, following canceled tours, underperforming films, and ongoing scrutiny over her marriage to Affleck.

This latest backlash has also reignited conversations about Lopez’s highly publicized romantic history. As tabloids and fans speculate whether more exes might respond, the situation underscores an old truth in celebrity culture — that every candid confession comes with consequences.

For now, Jennifer Lopez remains silent. But in the court of public opinion, the debate about who’s really at fault in her love story is only just beginning.

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Selling Your Soul in Hollywood: The Hidden Cost of Fame

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By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”

Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.

That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”

This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.

We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.

Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?

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As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”

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