Entertainment
Hilarie Burton Thinks a ‘One Tree Hill’ Character Appears in ‘Outer Banks’ on September 18, 2023 at 11:29 pm Us Weekly

Hilarie Burton Morgan is convinced that One Tree Hill and Outer Banks exist in the same universe.
During the Monday, September 18, episode of the “Drama Queens” podcast, Burton, 41, shared her theory that Cullen Moss’ OTH character, Junk, grew up to become Deputy Shoupe on Netflix’s Outer Banks.
“I love Cullen’s crossover into Outer Banks. Because I don’t care that the characters have different names. In my mind, Junk is the cop in Outer Banks,” Burton quipped, to which cohost Bethany Joy Lenz agreed. “Good for him, man, that’s exactly where Junk should be right now. Just dealing with some meddling kids.”
Moss, 48, appeared on two other North Carolina-based shows before getting cast on Outer Banks. After an appearance on season 6 of Dawson’s Creek, he landed the role of Junk on OTH, one of Lucas’ (Chad Michael Murray) River Court basketball pals. Years later, he joined the cast of Outer Banks as Deputy Shoupe — an antagonist turned good-hearted cop who helps find the Pogues after they’re reported missing.
North Carolina has been widely known for producing teen dramas since the 1990s, with Wilmington serving as the filming locations for One Tree Hill and Dawson’s Creek. Four hours north is OBX, where Outer Banks is based — even though the show films in Charleston, South Carolina.
Over the years, all three casts have opened up about the advantages of filming in the Carolinas, away from the craziness of Los Angeles or New York City. In March, Michelle Williams — who portrayed Jen Lindley on all six seasons of Dawson’s Creek — shared that the WB drama taught her “how to be responsible.”
“It taught me how to get to work on time, it taught me how to prepare at night for the next day,” Williams said in an appearance on Sunday Today With Willie Geist. “We were in, like, a very sleepy Southern town, and the crew really felt like they looked out for us. They knew how young we were and they kind of put, like, bumpers around us, just made sure that we were safe and taken care of, that I went to the dentist, things that didn’t really come naturally to me.”
Chase Stokes — who stars as John B on Outer Banks — told Variety in 2020 following the show’s premiere that shooting in Charleston helped him connect to the world on screen.
“I feel like it was a rare experience for all of us to kind of go to a set and have an opportunity to actually live in it, in a place that you know you’re going to spend so much time in,” he explained. “It was one of those things … where we were allowed to sort of really dive into it before it happened.”
Costar Jonathan Daviss echoed Stokes’ sentiments, sharing that shooting down south helped the cast bond in a different way.
“[Charleston] is really pretty, it’s got like some gorgeous sunsets and sunrises,” he said. “I think the first day, we spent at the Chateau [John B’s home and one of the show’s main locations] to prepare for shooting together and we all watched the sunrise.”
When posed with the question of what Carolinas-based show would win in a teen drama showdown, Stokes and Daviss stated that their series would come out on top — and that Moss would be on their side.
Jackson Lee Davis/Netflix
“He was on Dawson’s Creek and One Tree Hill. He’s a double whammy,” Stokes quipped to Variety. “But here’s the thing, Cullen would die in a firefight against us, in the best possible way.”
He continued: “Listen, I would be willing to go as far as saying Dawson’s Creek and One Tree Hill can team up and have like a battle royale and we’d still take ‘em out.”
Moss, for his part, is well aware of his Carolina connection — and may be on board with Burton’s theory that Junk changed his name before joining the police force in OBX.
Hilarie Burton Morgan is convinced that One Tree Hill and Outer Banks exist in the same universe. During the Monday, September 18, episode of the “Drama Queens” podcast, Burton, 41, shared her theory that Cullen Moss’ OTH character, Junk, grew up to become Deputy Shoupe on Netflix’s Outer Banks. “I love Cullen’s crossover into Outer
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Entertainment
Christian Keyes Announces ‘All the Queen’s Men’ Departure from BET+

A Major Shift for the Hit Series
Christian Keyes, the creator and star of the popular drama series “All the Queen’s Men,“ has officially announced that the show will be leaving BET and BET+. This decision marks a significant turning point for the series, which has garnered a dedicated fanbase since its debut.

Keyes’ Frustrations with BET+
Keyes took to social media to share his reasons for the departure, citing ongoing frustrations with the network. He revealed that he often learned about major show updates, such as premiere dates and trailers, through the internet rather than directly from BET+. This lack of communication left him feeling sidelined from the very project he created.
“It is continuously disappointing to find out that your show is coming back on the internet instead of finding out from the network,” Keyes stated, describing the treatment as “dismissive and disrespectful.”
He also disclosed that his “Created By” credit was removed in the show’s second season, forcing him to involve the Writers Guild of America to have his credit restored. Keyes emphasized that he conceived the series 15 years ago and remains deeply protective of its legacy.

No More BET+ Projects
Keyes confirmed that he will not be developing any prequels, spinoffs, or future projects related to “All the Queen’s Men” for BET or BET+. He is currently in negotiations with other streaming platforms to find a new home for the series, though no official announcement has been made regarding its next destination.
What’s Next for the Franchise?
- Season 4, Part 2 of “All the Queen’s Men” will still premiere on BET+ on July 24, coinciding with Keyes’ 50th birthday.
- Keyes is planning a stage play adaptation of the series, set to debut in Las Vegas with a potential tour to follow.
- The creator hinted at “personnel changes” within the TV production, referencing unprofessional behavior on set, though he did not name specific individuals.
Table: Key Developments
Development | Details |
---|---|
Leaving BET/BET+ | Confirmed by Christian Keyes |
Reason for Departure | Lack of communication, loss of creator credit, unprofessional conduct |
New Platform | Negotiations ongoing, not yet announced |
Prequels/Spinoffs | Will not be produced for BET/BET+ |
Stage Play | Planned for Las Vegas and touring |
Season 4B Premiere | July 24 (still on BET+) |
The Future of “All the Queen’s Men”
While the next chapter for “All the Queen’s Men” remains uncertain, Christian Keyes’ commitment to the series and its fans is unwavering. As he seeks a new platform, viewers can expect the universe he created to continue evolving—just not under the BET+ banner.
Entertainment
How to Be an Industry Puppet (The Sabrina Carpenter Way)


Early Beginnings: A Star in the MakingBorn on May 11, 1999, in Quakertown, Pennsylvania, Sabrina Annlane Carpenter showed an early passion for music. So much so that her father built a soundproof booth in their basement to keep her singing from disturbing the neighbors. By age 10, she was already uploading cover songs to YouTube, signaling the start of her public journey.
Her early exposure to the industry came through an online talent contest linked to Miley Cyrus’s fan club, where she placed third. This modest win caught the attention of casting directors, leading to small acting roles, including a guest spot on Law & Order: SVU. Her big break came in 2014 when she landed the role of Maya Hart, the wisecracking best friend on Disney Channel’s Girl Meets World.The Disney Era: Building a FoundationThough not the lead, Sabrina’s role on Girl Meets World gave her a platform. Disney also recognized her singing talent, releasing her debut single, Can’t Blame a Girl for Trying. Between 2015 and 2019, she released four albums—Eyes Wide Open, Evolution, Singular: Act I, and Singular: Act II. These projects earned respectable chart positions and built a loyal fan base, but she had yet to break into mainstream pop stardom.
By the end of the decade, Sabrina was a familiar face with a solid resume but still seen by many as a Disney alum rather than a major pop artist. It was clear that a transformation was necessary.
The Turning Point: Reinvention and Industry Realities.
Sabrina’s journey reflects a common narrative for child stars transitioning to adult artists. She has spoken candidly about signing her first contract at 12, not fully understanding the implications, and navigating the pressures of the music industry. She faced the challenge of maintaining her identity while meeting industry expectations, including the unspoken rule to “sexify” her image to reach the next level.
Her transition was not just about image but also about artistic growth. The industry’s artist development process, sometimes involving vocal and dance training, stylistic changes, and even physical alterations, played a role in reshaping her brand.
New Beginnings with Island Records
In early 2021, Sabrina’s Disney contract ended, and she signed with Island Records. Her first single under the new label, Skin, sparked controversy and media attention, rumored to be a diss track aimed at Olivia Rodrigo. Whether intentional or not, it marked a new chapter, accompanied by noticeable changes in her appearance and style.

Her album Emails I Can’t Send (2022) showcased a more mature sound and personal songwriting, earning critical praise and fan admiration. The album’s success was bolstered by collaborations with top producers and songwriters, including Jack Antonoff, Ian Kirkpatrick, and Amy Allen, who helped craft a fresh, ‘80s-inspired pop sound with emotional depth.
Breaking Through: The Short and Sweet Era
Sabrina’s momentum continued with the release of Short and Sweet in 2024. The album debuted at number one on the Billboard charts and went platinum, signaling her arrival as a bona fide pop star. Her single Espresso reached number seven on the Hot 100 and topped the UK charts, cementing her global appeal.
Her live performances evolved into carefully choreographed shows blending soft ‘80s synth-pop with old Hollywood glam aesthetics. Brand partnerships with Rihanna’s Savage Fenty and Kim Kardashian’s Skims further elevated her profile, aligning her with powerful, fashion-forward female brands.
Controversy and Cultural Conversations
With fame came scrutiny. Sabrina’s increasingly provocative performances and imagery sparked debate, especially given her Disney roots and young fanbase. Videos of sexually suggestive stage acts and album cover art depicting submissive poses ignited discussions about feminism, sexual freedom, and the boundaries of artistic expression.
Critics accused her of glamorizing regressive gender roles, while supporters defended her right to explore sexuality on her terms. Sabrina herself acknowledged the complexity, emphasizing her normalcy and playful approach to performance.
The Artist Behind the Brand
Despite accusations of being an “industry plant,” Sabrina’s decade-long career and artistic involvement tell a different story. She is deeply involved in songwriting and creative decisions, dispelling myths that she is merely a manufactured product.
Her candid reflections reveal the toll of constant touring and the pressures of maintaining a public persona. Yet, she remains committed to her craft and evolving identity.What’s Next for Sabrina Carpenter?
Sabrina Carpenter’s story is far from over. Her latest album, Man’s Best Friend, has already sparked intense cultural debates, highlighting her ability to provoke thought and conversation. Whether loved or criticized, she commands attention and continues to push boundaries.

Her journey from a singing child in Pennsylvania to a global pop icon is a testament to perseverance, reinvention, and the complex machinery behind modern stardom. Sabrina Carpenter wasn’t just made overnight—she was made over years of hard work, strategic evolution, and fearless self-expression. The world is watching, and she’s just getting started.
Entertainment
Juror 25’s Behavior Sparks Debate Over Fairness in High-Profile Diddy Trial

As the federal trial of Sean “Diddy” Combs unfolds under intense national scrutiny, an unexpected figure has taken center stage—not a witness or attorney, but Juror 25. His conduct in the jury room has ignited a heated debate over the integrity and fairness of the proceedings in one of the year’s most closely watched cases.

Juror 25: The Unlikely Focal Point
Juror 25, a 51-year-old Manhattan scientist with a Ph.D. in molecular biology and neuroscience, lives with his partner and is known for his love of opera and nature documentaries. During jury selection, he disclosed having seen video evidence related to the case, a detail that already set him apart from his peers.
Tensions in the Jury Room
Shortly after deliberations began, the jury sent a note to Judge Arun Subramanian expressing concern: Juror 25 “cannot follow your honor’s instructions.” This rare move immediately raised questions about whether the juror was struggling to grasp legal concepts or was simply challenging the group’s consensus. The judge, after careful consideration, instructed the panel to continue and report any further issues.

A Divided Jury—and Public
The situation has sparked a broader debate:
- Robust Deliberation or Disruption? Some argue that Juror 25’s insistence on thorough discussion is vital for justice, ensuring no detail is overlooked. Others worry that his approach could derail the process and threaten a fair verdict.
- Judicial Dilemma: The judge’s decision not to remove Juror 25 reflects the delicate balance between respecting juror independence and maintaining order.
- Media Spotlight: With every development dissected in real time, public opinion is sharply divided—some see Juror 25 as a conscientious holdout, others as an obstacle to justice.

What’s at Stake
This controversy highlights the challenges of jury selection in high-profile cases and the pressures jurors face under the national spotlight. It also raises fundamental questions about what fairness means in the American justice system: Is it about consensus, or about ensuring every voice is heard—even if it complicates the path to a verdict?
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