Entertainment
‘Goosebumps’ Writers Chose Sides in Margot, Lucas and Isaiah’s Love Triangle on November 19, 2023 at 5:00 pm Us Weekly

Goosebumps viewers have so many thoughts on the show’s central love triangle — and so do the writers.
During an exclusive interview with Us Weekly, executive producers Hilary Winston, Rob Letterman and Nick Stoller offered a glimpse into how the series’ writers tackled Margot’s (Isa Briones) individual connections with Lucas (Will Price) and Isaiah (Zack Morris).
“We had Team Lucas and we had Team Isaiah for sure,” Letterman revealed. “I don’t remember [which relationship had the most support], but I do remember there were sides. There were definitely sides.”
Goosebumps — which is based on R.L. Stine’s book series — follows a group of teenagers who form a friendship while trying to stop supernatural forces from taking over their town. Margot’s chemistry with Lucas was evident from the first episode of the show, but her friendship with Isaiah had its ups and downs before Isaiah admitted to himself that he had feelings for Margot.
As Margot and Lucas’ relationship developed, their differing plans for the future pulled them apart. Lucas, who was still worried that evil forces could come back to haunt them, wanted to remain in town. Margot, meanwhile, was considering a move to Seattle before the season finale caused a major shift.
Following Margot and Lucas’ split, Isaiah took the opportunity to tell Margot how he felt, which she reciprocated. Before Margot could have an actual conversation with Isaiah or Lucas, however, Isaiah got shot (and was subsequently resurrected).
Disney+
As a writer — and fan of the show — Winston has some ideas about where Margot’s love life should go in a potential season 2.
“I love the love triangle stuff. Margot has to play out her feelings for Isaiah and see if it’s there. My guess is — having just lived a life as a teenage girl who dated boys — that maybe it’s not what she thinks it is,” Winston told Us. “But she needs to go down that road and then hopefully end up with Lucas.”
While Us is still holding out hope for Margot and Lucas to end up together, the season finale introduced plenty of questions that didn’t just focus on the romantic pairings. Viewers still need answers about the circumstances surrounding Isaiah’s almost-death, which was halted by Margot bringing him back to life with a spell from Kanduu’s book.
“We always love the idea of somebody dying but being brought back. There is really this choice that Margot has to make [in that moment]. She knows it’s not the right thing to do,” Winston teased. “[It’s a case of] be careful what you wish for. She really wants this. But then this act of love and also guilt for being with Lucas allows Kanduu to piggyback and enter into Mr. Bratt for the first time.”
Disney+
Isaiah’s fate was a major discussion in the writers’ room, but when it was time to tell Morris about his character’s journey, Letterman accidentally left out the part about Isaiah being brought back to life.
“We pitched it to Zack as like, ‘This is going to be amazing. It’ll be memorable.’ And then two days later, I got a text from Isa saying, ‘Hey, I think you better call Zack, because he’s actually spinning out. He’s really spinning out about getting killed on the show,’” Letterman told Us. “So, yes, I had to call Zack and be like, ‘No, you don’t understand. It’s all going to work out. It’s going to be great.’”
The producers — who are still awaiting word on renewal — aren’t in a rush to lock down their vision for season 2 just yet. While speaking with Us, though, Letterman discussed some of the successful aspects of the first season, including the group’s unique approach to telling the story.
“It was a very ambitious idea. But it was so refreshing. We’ve always thought, ‘OK, we’re going to do five origin stories, and then they come together midway to figure out what’s happening to them,’” he explained. “That was always sort of the big plan. It did make for these mini movies each episode. Weirdly, that also lent itself more to the spirit of [Stine’s] books. Each episode can stand on its own as a little movie, but it was very tricky and very ambitious to do.”
Letterman concluded by praising the cast for bringing the material to life in such a special way, adding, “The cast is so awesome. They’re just so great and they really elevate everything.”
All episodes of Goosebumps season 1 are now available to stream on Disney+ and Hulu.
Goosebumps viewers have so many thoughts on the show’s central love triangle — and so do the writers. During an exclusive interview with Us Weekly, executive producers Hilary Winston, Rob Letterman and Nick Stoller offered a glimpse into how the series’ writers tackled Margot’s (Isa Briones) individual connections with Lucas (Will Price) and Isaiah (Zack
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Entertainment
Selling Your Soul in Hollywood: The Hidden Cost of Fame

By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”
Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.
That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”
This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.
“We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.
Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?
As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”
Entertainment
California Bans AI Clones from Replacing Real Talent

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
California Draws a Hard Line: No More AI Clones
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
- Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
- No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
- The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.
Actors Celebrate a Major Victory
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
A New Chapter for the Entertainment Industry
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
Conclusion: Human Talent Takes Center Stage
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Entertainment
Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
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