Connect with us

Entertainment

Gavin Rossdale’s Music Has Always Political — And He Has No Plan to Stop Now on September 21, 2023 at 5:48 pm Us Weekly

Published

on

Gavin Rossdale Jason LaVeris/FilmMagic

Getting involved with Artist for Action and Sandy Hook Promise makes sense to Gavin Rossdale as much as America’s epidemic of gun violence does not.

“It doesn’t make sense to me that 400 times this year, someone’s gone into a school and shoot more than four people,” Rossdale said while speaking with Us Weekly ahead of Bush‘s show at New York City’s Irving Plaza benefiting the anti-gun violence initiatives. “This doesn’t f—king make sense. You can’t rationalize it. It doesn’t make sense.”

Rossdale, 57, and his band Bush aren’t generally thought of as a socially-conscious rock band, but as he explains to Us, he has always been aware of what’s happening around him.

Advertisement

“I’m always being quite political and particularly underrated for it because I do it in a way that’s always been on the personal politics,” he says. “On the first record [Sixteen Stone], the song ‘Bomb’ is about growing up in the shadow of the IRA and the Protestants, the Orange Parade march, and things. Where I grew up in North London, there were these bombed shopping centers and buses, and people died, and it was the real thing.”

Related: Boy Brood! Gavin Rossdale and Gwen Stefani’s 3 Sons’ Photos Over the Years

Advertisement
Gavin Rossdale and Gwen Stefani’s gang! The former couple welcomed three sons before splitting in 2015. The exes began dating in 1995, getting married seven years later in London. The duo went on to welcome Kingston in 2006, followed by Zuma and Apollo in 2008 and 2014, respectively. The No Doubt singer filed for divorce […]

He continued: “The hunger strikes, and [IRA member] Bobby Sands and all that stuff, I grew up with that as the backdrop. And where I lived, my area was next to Kilburn. It’s where I played football for an Irish team. I went to all the Irish pubs on Quicks Road. I was really in it.”

“I’ve been quite heavily into that stuff without ever being flag bearing, just conscious of it,” he adds, “and aware of it as a human being, as anyone would be.”

Rossdale will utilize his awareness and voice on Friday, September 22, when Bush takes the stage at Irving Plaza for a show billed as “a celebration of unity in the fight against gun violence.” It’s also the first in a series of national events held by Artist For Action, a coalition of musicians working to end the epidemic of gun violence in America.

However, even Rossdale knows it’s an uphill battle. “My son [Zuma Rossdale] is a country guy. He has a whole life over there with this other side, where they’re shooting, hunting. It’s their culture,” says Rossdale, who shares 15-year-old Zuma, Kingston, and Apollo with his ex-wife, Gwen Stefani. Stefani, 53, married country star Blake Shelton in 2021 after six years of dating.

Advertisement

“You’re never going to take guns out of America. Never, never, never. So it’s a moot point,” explains Rossdale. “But I suppose, the [assault] rifles, to me, it’s got to be more about, how does someone in a community get so isolated?”

Rossdale — who changed his citizenship because of his love of America, and three of his four children were born in the country – sees the epidemic of shootings as not necessarily being about the actual gun. “What about the person? What about the community support, the people losing their minds, the lone wolves? How are teachers not recognizing those kids in the class?”

Rossdale wants to highlight how “the mental aspect” of this highly-politicized issue is “the most open to change.”

“How do you stop these people going so far out?” he asks.

Advertisement

Related: Sexy Celeb Dads With Their Kids: Gavin Rossdale, Brad Pitt & More

See the hottest Hollywood papas with their adorable kids

Even Rossdale knows that it’s going to take a lot for Artist For Action and Sandy Hook Promise to end the endless shootings in America. “It’s an uphill struggle to change gun culture,” he says, “but it’s less of a struggle to try raise support for people who are driven [to violence]. Because I think, ‘Are there 400 inherently bad people, or there are 400 people that are driven beyond something?’ It is terrifying, as well.”

Advertisement

Rossdale says that the issue of gun violence can’t be reduced to a simple fix. “It’s not as basic as, “Oh, hello, I’m nuts, I’m going to go and kill people,’” he says. “It cannot be that basic. It has to be a culture of alienation, a culture of disconnect, a culture of a lack of support that allows these people to turn into psychotic killers. And I think that’s a huge area.”

“I’m just saying, isn’t that part of it?” he says. “It’s not just like, ‘oh, access to guns.’ What about the people pulling the f—king triggers?”

The Artist for Action show will kick off a busy season for Rossdale and Bush. His band will release a career-spanning greatest hits compilation – Loaded: The Greatest Hits 1994-2023 – on November 10 via Round Hill Records. Rossdale wrote and released a new song, “Nowhere to Go But Everywhere,” the namesake of the upcoming North American tour to commemorate the project.

Advertisement

“I’ve always had a weird relationship with [the collection],” Rossdale tells Us. “I’ve never wanted to do a greatest hits. It’s almost like a ‘sayonara.’ I [have always been] more interested in writing new stuff. Obviously, I did write a new song for [Loaded], but yeah. Greatest Hits.”

Rossdale doesn’t want Loaded to be the closing of his career. The group released its ninth studio album, The Art of Survival, in 2022. For new fans, Loaded will be a perfect introduction to the

“We literally [included] songs chronologically,” says Rossdale. The track list includes 90s alternative radio staples like “Everything Zen,” “Comedown,” “Machinehead,” “Swallowed” and “Glycerine.” Latter hits like “More Than Machines” and “Bullet Holes” are included, as well as a formal recording of the band’s version of The Beatles’ “Come Together.”

“There were 26 Top 40 hits, but we could only put 22 on there or something,” said Rossdale. “So there were four that didn’t make it, which is a bit of a shame, but they said, ‘We ran out of vinyl.’”

Advertisement

For Rossdale, Loaded is exciting because he collaborated with Chris Ashworth, graphic designer and former art director of alt-rock magazine Ray Gun: “On my first record, Sixteen Stone, I got [Ray Gun graphic designer] Dave Carson [to design the artwork].”

“When I signed a deal [with Interscope], they asked me what I would like, and I said, ‘Ray Gun is the greatest magazine there is. Can we try and contact them?’ So they contacted Dave Carson, and Dave did a fantastic job. We loved it. It had my dog on the album, jumping in Regents Park,” says Rossdale. “We had just his artwork, and it was the sensibility that I loved. And weirdly enough, then full circle, how life is, what, 30 years later, I ended up doing a piece for Marvin Magazine, [owned by] Martin Garret, who used to own Ray Gun. He even had Nylon, and now he has Marvin, and he’s like, ‘I owned Ray Gun.’”

“I said, ‘Oh, my God, I love Dave Carson.’ He goes, ‘Oh yeah, Dave’s an interesting character, but Chris Ashworth is really the guy,’” he explains.

Stephen J. Cohen/Getty Images

Advertisement

From there, Rossdale began to follow Ashworth on Instagram, who subsequently followed the Bush singer back. The two were in each other’s orbit when it came time to do Loaded. “I thought it’d be cool to come full circle and get Chris to do the artwork for the greatest hits,” says Rossdale. “And Chris’s work is just gorgeous, and it was such a thrill to work with him. I’ve worked with a lot of great artists. It’s such an excuse to collaborate with great people, whether it’s videos or photographers. Yesterday, I worked with Sante D’Orazio, doing the best pictures, and it was just incredible,” he adds. “I love all that stuff. So yeah, I’m so thrilled. The most exciting thing of the record, to me, is the artwork.”

Rossdale explained that during Bush’s tenure, he’s “always chosen the songs on the records, but I’ve never chosen the singles because I’m not the one who has to go and work them.” As a self-professed believer of “people staying in their lanes,” he says, Rossdale hasn’t tried to micromanage his career down to the smallest detail.

“I thought if I try to dictate what things should be, to that degree, even drifting into someone else’s job of knowing what radio wants or what’s happening? That stuff is just not my jam,” he says. “So, I’ve never chosen the singles.”

“I’ve never been surprised or disappointed, like ‘don’t bring the ballad out!’” he adds. “I deliver a record, and they tell me which song they’re excited about. And the label I have now, Round Hill, is great.”

Advertisement

Rossdale’s creative ambitions have seen him expand beyond music. He dabbled in acting, appearing alongside Keanu Reeves in 2005’s Constantine, in 2004’s Mayor of the Sunset Strip, and The Bling Ring in 2013. He launched the Sea of Sound fashion line and hopes to launch a cooking/interview show, spotlighting both his love of food and company.

“I have a Nutrition Facts thing, which is a guide to humanity, and it incorporates food,” Rossdale says of one of the standout pieces in Sea of Sound. “It’s kind of cool because we have labels on the back of food. I did that for fashion and humanity, a good way of living.”

Advertisement

Related: Paltrows! Levys! Kardashians! See Famous Celebrity Families’ Photos

See pictures of the most well-known Hollywood broods

Rossdale hopes to translate that passion for the culinary arts into a new venture, as he’s been working on a potential cooking/interview show. He says that he’s close now to getting it made since the WGA/SAG-AFTRA strike has resulted in studios who “turned [him] down last year” to reconsider it.

“I just always loved food,” he tells Us. “I’ve always really enjoyed it. I just found a knack, I think – I just found a connection to it, a natural ability to time things, a natural ability to flavor things, so things taste good.”

He went on to reference his seven-year split from Stefani. “When I got divorced, I thought, OK, new life, how can I do this?’” he continues. “Whenever I cook for people, people will always be a bit surprised. It’s an anomaly. I have people come to my house in LA and say, ‘Well, no one’s ever cooked for me at a house before.’ Very strange. So I just got into it.”

Advertisement

For Rossdale, his creative exploits are all tied together with a similar philosophy. “I’ve always been into this idea of curation. A life well lived should be a life well curated,” he explains. With cooking, however, he adds that there was a more personal reason for him to pick up the whisk and ladle. “I was honestly just trying to get straightforward ways to stay home and not be leaving my boys, not have to go on tour.”

Though Rossdale will have to hit the road soon, he seems optimistic about the future – as much as a British man with a self-described “gallows’ humor” can be. “I do believe in an order, and an energy, and a connectivity to the universe, and a timing of things,” he says toward the end of the chat. “I really believe that.”

“So, I simply have had the opportunity to make those shows or to bring that clothing line out, where it’s sort of found a way,” he says with a smile. “Now, I feel that there’s a shift where I have set myself up with the greatest opportunity.”

Getting involved with Artist for Action and Sandy Hook Promise makes sense to Gavin Rossdale as much as America’s epidemic of gun violence does not. “It doesn’t make sense to me that 400 times this year, someone’s gone into a school and shoot more than four people,” Rossdale said while speaking with Us Weekly ahead 

Advertisement

​   Us Weekly Read More 

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Entertainment

What We Can Learn Inside 50 Cent’s Explosive Diddy Documentary: 5 Reasons You Should Watch

Published

on

50 Cent’s new Netflix docuseries about Sean “Diddy” Combs is more than a headline-grabbing exposé; it is a meticulous breakdown of how power, celebrity, and silence can collide in the entertainment industry.

Across its episodes, the series traces Diddy’s rise, the allegations that followed him for years, and the shocking footage and testimonies now forcing a wider cultural reckoning.

For viewers, it offers not just drama, but lessons about media literacy, accountability, and how society treats survivors when a superstar is involved.

Rapper 50 Cent pictured in Tup Tup Palace night club with owners James Jukes and Matt LoveDough, Newcastle, UK, 7th November 2015

1. It Chronicles Diddy’s Rise and Fall – And How Power Warps Reality

The docuseries follows Combs from hitmaker and business icon to a figure facing serious criminal conviction and public disgrace, mapping out decades of influence, branding, and behind-the-scenes behavior. Watching that arc shows how money, fame, and industry relationships can shield someone from scrutiny and delay accountability, even as disturbing accusations accumulate.

Rapper 50 Cent pictured in Tup Tup Palace night club with owners James Jukes and Matt LoveDough, Newcastle, UK, 7th November 2015

2. Never-Before-Seen Footage Shows How Narratives Are Managed

Exclusive footage of Diddy in private settings and in the tense days around his legal troubles reveals how carefully celebrity narratives are shaped, even in crisis.

Viewers can learn to question polished statements and recognize that what looks spontaneous in public is often the result of strategy, damage control, and legal calculation.

HCFF
HCFF

3. Survivors’ Stories Highlight Patterns of Abuse and Silence

Interviews with alleged victims, former staff, and industry insiders describe patterns of control, fear, and emotional or physical harm that were long whispered about but rarely aired in this detail. Their stories underline how difficult it is to speak out against a powerful figure, teaching viewers why many survivors delay disclosure and why consistent patterns across multiple accounts matter.

4. 50 Cent’s Approach Shows Storytelling as a Tool for Accountability

As executive producer, 50 Cent uses his reputation and platform to push a project that leans into uncomfortable truths rather than protecting industry relationships. The series demonstrates how documentary storytelling can challenge established power structures, elevate marginalized voices, and pressure institutions to respond when traditional systems have failed.

5. The Cultural Backlash Reveals How Society Handles Celebrity Accountability

Reactions to the doc—ranging from people calling it necessary and brave to others dismissing it as a vendetta or smear campaign—expose how emotionally invested audiences can be in defending or condemning a famous figure. Watching that debate unfold helps viewers see how fandom, nostalgia, and bias influence who is believed, and why conversations about “cancel culture” often mask deeper questions about justice and who is considered too powerful to fall.

Advertisement
Continue Reading

Entertainment

South Park’s Christmas Episode Delivers the Antichrist

Published

on

A new Christmas-themed episode of South Park is scheduled to air with a central plot in which Satan is depicted as preparing for the birth of an Antichrist figure. The premise extends a season-long narrative arc that has involved Satan, Donald Trump, and apocalyptic rhetoric, positioning this holiday episode as a culmination of those storylines rather than a stand‑alone concept.

Episode premise and season context

According to published synopses and entertainment coverage, the episode frames the Antichrist as part of a fictional storyline that blends religious symbolism with commentary on politics, media, and cultural fear. This follows earlier Season 28 episodes that introduced ideas about Trump fathering an Antichrist child and tech billionaire Peter Thiel obsessing over prophecy and end‑times narratives. The Christmas setting is presented as a contrast to the darker themes, reflecting the series’ pattern of pairing holiday imagery with controversial subject matter.

HCFF
HCFF

Public and political reactions

Coverage notes that some figures connected to Donald Trump’s political orbit have criticized the season’s portrayal of Trump and his allies, describing the show as relying on shock tactics rather than substantive critique. Commentators highlight that these objections are directed more at the depiction of real political figures and the show’s tone than at the specific theology of the Antichrist storyline.

At the time of reporting, there have not been widely reported, detailed statements from major religious leaders focused solely on this Christmas episode, though religion-focused criticism of South Park in general has a long history.

Media and cultural commentary

Entertainment outlets such as The Hollywood Reporter, Entertainment Weekly, Forbes, Slate, and USA Today describe the Antichrist arc as part of South Park’s ongoing use of Trump-era and tech-world politics as material for satire.

These reports emphasize that the show’s treatment of the Antichrist, Satan, and prophecy is designed as exaggerated commentary rather than doctrinal argument, while also acknowledging that many viewers may see the storyline as offensive or excessive.

Viewer guidance and content advisory

South Park is rated TV‑MA and is intended for adult audiences due to strong language, explicit themes, and frequent use of religious and political satire. Viewers who are sensitive to depictions of Satan, the Antichrist, or parodies involving real political figures may find this episode particularly objectionable, while others may view it as consistent with the show’s long‑running approach to controversial topics. As with previous episodes, individual responses are likely to vary widely, and the episode is best understood as part of an ongoing satirical series rather than a factual or theological statement.

Advertisement
Continue Reading

Entertainment

Sydney Sweeney Finally Confronts the Plastic Surgery Rumors

Published

on

Sydney Sweeney has decided she is finished watching strangers on the internet treat her face like a forensic project. After years of side‑by‑side screenshots, “then vs now” TikToks, and long comment threads wondering what work she has supposedly had done, the actor is now addressing the plastic surgery rumors directly—and using them to say something larger about how women are looked at in Hollywood and online.

Sweeney at the 2025 Toronto International Film Festival red carpet premiere of Christy

Growing Up on Camera vs. “Before and After” Culture

Sweeney points out that people are often mistaking normal changes for procedures: she grew up on camera, her roles now come with big‑budget glam teams, and her body has shifted as she has trained, aged, and worked nonstop. Yet every new red‑carpet photo gets folded into a narrative that assumes surgeons, not time, are responsible. Rather than walking through a checklist of what is “real,” she emphasizes how bizarre it is that internet detectives comb through pores, noses, and jawlines as if they are owed an explanation for every contour of a woman’s face.

HCFF
HCFF

The Real Problem Isn’t Her Face

By speaking up, Sweeney is redirecting the conversation away from her features and toward the culture that obsesses over them.

She argues that the real issue isn’t whether an actress has had work done, but why audiences feel so entitled to dissect her body as public property in the first place.

For her, the constant speculation is less about curiosity and more about control—another way to tell women what they should look like and punish them when they do not fit. In calling out that dynamic, Sweeney isn’t just defending herself; she is forcing fans and followers to ask why tearing apart someone else’s appearance has become such a popular form of entertainment.


Advertisement
Continue Reading

Trending