Related: Every Time Taylor Swift Attended Travis Kelce’s NFL Games
Advertisement
Michael Chang/Amy Sussman/Getty Images
Charles Barkley thinks NFL fans who complain about Taylor Swift shouldn’t have nice things.
“If you’re screaming at Taylor Swift saying she ruined [football], you’re just a loser,” Barkley, 60, declared during the Thursday, February 1, episode of his King Charles show. “You’re just a loser or a jackass. You’re either A or B. You’re one of the two.”
Barkley’s costar, Gayle King, agreed with the NBA all-star, arguing that Swift, 34, claiming the singer has brought a new demographic to the NFL since she began dating Kansas City Chiefs player Travis Kelce in summer 2023.
“You see young teen girls watching football for the first time,” she argued, while their guest host, American sports commentator Bob Costas, theorized that Swift’s politics — in addition to her relationship with Kelce, 34 — may contribute to the recent hate.
“Because they don’t like something about Taylor Swift — either they don’t like the Chiefs or they’ve inferred that Taylor Swift might not be a Trumper — then they’re annoyed by Taylor Swift,” he claimed. “I can guarantee that all this news on Fox News would not be happening if she was wearing a MAGA hat. They would love it.”
Swift began speaking up about politics in 2018 when she publicly supported Tennessee’s Democratic Senate candidate Phil Bredesen and criticized his Republican opponent, Marsha Blackburn, due to her stance on LGBTQIA+ issues and women’s rights. She also openly endorsed Joe Biden for president in 2020. When she urged people to vote via a single Instagram Story in September 2023, it resulted in more than 35,000 new registered voters.
With 2024 being an election year, how Swift could have an influence on the upcoming presidential campaign has been a topic of conversation. Last month, the cohosts of The View defended the pop star after a montage of Fox News reporters slamming Swift for her political views went viral on social media.
“If you’re screaming at Taylor Swift saying she ruined [football], you’re just a loser. You’re just a loser or a jackass.” – Charles Barkley pic.twitter.com/fhah8fjCjz
— Awful Announcing (@awfulannouncing) February 1, 2024
“Why is [Taylor] triggering everybody?” panelist Whoopi Goldberg said on the January 30 episode of the talk show. “They are freaking out.”
While many have loved watched Swift and Kelce’s love story unfold, some have pushed back, claiming that the NFL has been too focused on her attendance at Chiefs games. Swift, however, clapped back during her TIME “Person of the Year” interview, saying she can’t control how much screentime the cameras give her.
“I’m just there to support Travis,” she told the outlet in December 2023. “I have no awareness of if I’m being shown too much and pissing off a few dads, Brads, and Chads.”
Now that the Chiefs have secured the AFC Championship, Swift is expected to make an appearance during Super Bowl LVIII on Sunday, February 11, despite her Tokyo Eras Tour stint wrapping up just one day prior. Costas believes her attendance can only bring positive effects.
“When it comes to the Super Bowl, where a lot of people who don’t watch football all year long double the audience even at the conference championship games, part of that is the halftime entertainment, part of that is the commercials,” he explained. “It’s hard to believe the Super Bowl could even have a higher rating but in a small percentage, it might even up that.”
Costas also credited Swift for the recent increase in NFL merchandise. “Travis Kelce jerseys and all he rest and the attention to the regular season games? The NFL reigned supreme not only over sports but over all of American entertainment,” he said. “You would think they couldn’t improve on that but now they’ve tapped into [a new] demographic.”
Michael Chang/Amy Sussman/Getty Images Charles Barkley thinks NFL fans who complain about Taylor Swift shouldn’t have nice things. “If you’re screaming at Taylor Swift saying she ruined [football], you’re just a loser,” Barkley, 60, declared during the Thursday, February 1, episode of his King Charles show. “You’re just a loser or a jackass. You’re either
Us Weekly Read More
California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.
These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”
Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
The world of film and entertainment is mourning the loss of Diane Keaton, an Oscar-winning actress renowned for her enduring talent, individuality, and influence on generations of performers and fans. Keaton died at the age of 79 in California on Saturday, October 11, 2025, her family confirmed. Details remain private, with her family requesting privacy as they grieve this profound loss.
Diane Keaton rose to fame in the 1970s through a series of memorable roles, most notably as Kay Adams in “The Godfather” trilogy and as the quirky, unforgettable lead in Woody Allen’s “Annie Hall,” for which she won the Academy Award for Best Actress. Her performances in films like “The First Wives Club,” “Something’s Gotta Give,” and the “Book Club” series solidified her reputation as an actress with unique comedic timing and dramatic depth. Keaton was celebrated not only for her artistry but also for her androgynous fashion sense, characterized by menswear-inspired looks, hats, and an easy, effortless style that influenced generations.
Following the news of her passing, tributes poured in from Hollywood and beyond. Bette Midler, Goldie Hawn, and Jane Fonda were among the countless stars who expressed devastation and admiration for Keaton’s incomparable legacy. Hawn recalled their friendship and collaborations, writing: “Diane, we aren’t ready to lose you…you stole the hearts of the world and shared your genius with millions”. Midler echoed the sentiment, praising Keaton as “brilliant, beautiful, extraordinary” and a truly original presence in Hollywood.
Though fiercely independent and known for her openness, Keaton kept her declining health private in her final months. Friends and neighbors noticed her retreat from public life and social media, and she was recently seen less often in her Brentwood neighborhood. In the past, Keaton candidly discussed her ongoing battles with skin cancer and bulimia, openly advocating for personal health and authenticity.
Diane Keaton leaves behind a legacy defined by her fearless performances, unique style, and enduring influence on the arts. She is survived by her two children, Dexter and Duke. As Hollywood and her global fanbase mourn, her pioneering spirit and unmistakable voice will continue to inspire generations.
Disney Loses $3.87 Billion as Subscription Cancellations Surge After Kimmel Suspension
What the Deletion Frenzy Reveals in the David and Celeste Tragedy
ABC Suspends ‘Jimmy Kimmel Live!’ Indefinitely After Kirk Remarks
Executive Producer Debut: How Celia Carver Created Festival Hit ‘Afterparty’
Can Movie Theaters Steal the Show from Streaming?
Russia Claims 100% Success With New mRNA Cancer Vaccine
Body of Missing Teen Found in Tesla Linked to Musician D4vd
Why Small Theaters Are Thriving While the Industry Struggles