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Catherine Zeta-Jones Revives Jessica Simpson’s Iconic 2005 VH1 Awards Dress on August 2, 2023 at 2:26 pm Us Weekly

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Jessica Simpson and Catherine Zeta-Jones. Shutterstock; Oliver Palombi/MEGA

Catherine Zeta-Jones has unlocked a core fashion memory for Us while on vacation in Portofino, Italy.

The 53-year-old actress was spotted in the same dress Jessica Simpson wore to the VH1 Big in ’05 awards in December of that year. Zeta-Jones paired the sparkly purple number, which features a plunging neckline, rouching at the waist and a pleated skirt, with espadrille wedges, a little black clutch and oversized sunglasses. She wore her hair down, allowing her tresses to cascade down her shoulders. 

Zeta-Jones was photographed out and about in Europe with her husband, Michael Douglas, who played it cool in a dark blue button-up shirt and white trousers. 

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Michael Douglas and Catherine Zeta-Jones. Oliver Palombi/MEGA

In 2005, meanwhile, Simpson, now 43, teamed the gown with open-toe sandal heels, dangling earrings and smoky eye makeup. 

At the time, the garb was considered a “revenge dress” as Simpson wore the piece just one month after she and then-husband Nick Lachey announced their split. (The exes tied the knot in October 2002 and finalized their divorce in June 2006. Simpson went on to marry husband Eric Johnson in July 2014. Lachey, 49, for his part, said “I do” to Vanessa Lachey in July 2011.) 

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Her Italian getaway isn’t the first time this summer that Zeta-Jones blessed Us with a casual slay. 

Earlier this month, she took to Instagram to share a series of steamy swimsuit snaps. Zeta-Jones wowed in a dark-colored one-piece that featured a plunging neckline. She paired the swimsuit with oversized sunglasses and a big floppy straw hat. 

“Ciao,” Zeta-Jones captioned the social media post, prompting strong praise from her followers. “Mother is mothering,” one fan wrote in the comments section, while a second follower wrote, “MOMMMY???? SORRYY??” A different fan chimed in with, “THE MOST BEAUTIFUL WOMAN,” as a fourth added, “I need your hand in marriage.” 

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Zeta-Jones also turned heads at the 76th annual Cannes Film Festival in May. For the event’s opening ceremony, which honored Douglas’ career, Zeta-Jones opted for a whimsical red dress by Elie Saab. The low-cut number was equipped with a sheer construction and an attached cape. Douglas, 78, looked dapper in a classic tuxedo. The couple was joined by their daughter, Carys, who donned a delicate white lace dress.

Zeta-Jones and Douglas — who wed in November 2000 — also share 22-year-old son Dylan. (Douglas is also the father of son Cameron Douglas, 44, with ex-wife Diandra Luker.)

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Catherine Zeta-Jones has unlocked a core fashion memory for Us while on vacation in Portofino, Italy. The 53-year-old actress was spotted in the same dress Jessica Simpson wore to the VH1 Big in ’05 awards in December of that year. Zeta-Jones paired the sparkly purple number, which features a plunging neckline, rouching at the waist and a 

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Entertainment

Selling Your Soul in Hollywood: The Hidden Cost of Fame

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By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”

Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.

That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”

This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.

We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.

Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?

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As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”

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California Bans AI Clones from Replacing Real Talent

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California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.

California Draws a Hard Line: No More AI Clones

For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.

The new California law, anchored by AB 2602 and AB 1836, changes everything:

  • Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
  • No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
  • The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.

Actors Celebrate a Major Victory

The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.

Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.

As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”

A New Chapter for the Entertainment Industry

California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.

Conclusion: Human Talent Takes Center Stage

With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.

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Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

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Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.

As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”

What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.

Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:

“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”

Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.

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