Entertainment
Angus Cloud Said He’d Never Play ‘Legend’ Mac Miller in a Biopic on August 1, 2023 at 9:34 pm Us Weekly
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Angus Cloud and Mac Miller Matt Baron/BEI/Shutterstock; Carl Timpone/BFA/Shutterstock
Angus Cloud may have skyrocketed to fame playing Fezco on Euphoria, but the late actor’s fans wanted to see him take on the role of his celebrity lookalike: Mac Miller.
However, the role of the late rapper was one Cloud revealed he was not interested in taking on. “I mean, no, I don’t think so,” he told Canada’s Etalk in January 2022. “Taking on someone’s whole life and becoming that person like, how much respect you have to give them to actually try to portray them, you know? Like, you have to learn, you know what I’m saying?”
Despite sharing many physical similarities with the musician — including their trademark reddish-brown buzzcuts, beards and blue eyes — Cloud told the outlet he wasn’t sure he could “be prepared to take on someone’s life and legacy and try to replay that.” He continued: “That man is a legend and he’s going to remain one. May he rest in peace, you feel me?”
Many fans were reminded of the pair’s uncanny resemblance following Cloud’s unexpected death on Monday, July 31. He was 25 years old.
“Why does this feel like Mac Miller part 2??? I AM NOT OKAY. RIP Angus Cloud,” wrote one social media user on X (formerly known as Twitter). Another tweeted, “I wanted so badly to see Angus Cloud play as Mac Miller in a Biopic. Damn. RIP to them both. Both died TOO young.”
Cloud’s family confirmed his passing in a statement on Monday. “It is with the heaviest heart that we had to say goodbye to an incredible human today. As an artist, a friend, a brother and a son, Angus was special to all of us in so many ways,” they wrote. “Last week he buried his father and intensely struggled with this loss. The only comfort we have is knowing Angus is now reunited with his dad, who was his best friend.”
The family went on to state that they hope Cloud’s death will help others battling mental health struggles to know “they are not alone and should not fight this on their own in silence.” The statement concluded: “We hope the world remembers him for his humor, laughter and love for everyone. We ask for privacy at this time as we are still processing this devastating loss.”
A cause of death has not yet been revealed. Cloud’s mother, however, called called 911 on Monday to report a “possible overdose” after discovering he had no pulse, Us Weekly confirmed. Cloud was pronounced dead at the scene.
Cloud’s passing comes nearly five years after Miller died at the age of 26 in September 2018. Miller’s cause of death was later revealed to be from mixed drug toxicity. An autopsy revealed he had fentanyl, cocaine and alcohol in his system at the time of his accidental death.
One year later, Cameron James Pettit was charged for allegedly selling Miller fentanyl-laced pills days before his death. Stephen Walter and Ryan Michael Reavis were also charged in connection to Miller’s death and were sentenced to 17.5 years and over 10 years in prison, respectively. Pettit’s case is still pending as of April 2022.
If you or someone you know is struggling with their mental health, contact the Substance Abuse and Mental Health Services Administration (SAMHSA) National Helpline at 1-800-662-HELP (4357).
Angus Cloud may have skyrocketed to fame playing Fezco on Euphoria, but the late actor’s fans wanted to see him take on the role of his celebrity lookalike: Mac Miller. However, the role of the late rapper was one Cloud revealed he was not interested in taking on. “I mean, no, I don’t think so,”
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Jeremy Sumrall’s latest project, “Another Night at Beaver’s,” has been making waves in the film festival circuit. The screenplay was recently selected as an award finalist for the Houston Comedy Film Festival, marking another milestone in Sumrall’s career. This recognition comes on the heels of its selection by the Fall HorrorHound Film Festival, showcasing the script’s appeal across multiple genres
Inspiration and Storytelling
“Another Night at Beaver’s” is set in a strip club on the edge of hell and draws from classics like “Assault on Precinct 13” and “Tales From The Crypt’s Demon Knight.” The film, set on Christmas Eve, features a band of off-beat characters—strippers and lowlifes—who must fight off satanic snot monsters to prevent the apocalypse. The idea of setting such a wild story in a strip club, a world Sumrall knows well, adds an extra layer of authenticity and fun to the screenplay.
Challenges in Screenwriting
Writing “Another Night at Beaver’s” came naturally to Sumrall, who had the story in his head since 2009. However, it wasn’t until the passing of Wes Craven in 2015 that he felt compelled to finally put pen to paper. Despite initial doubts about his future in filmmaking, Sumrall completed the first draft in just a month. The journey to perfecting the script was long and involved setting aside his perfectionist tendencies, allowing him to fully embrace the chaotic, balls-to-the-wall nature of the story.
Screenwriting Journey
Sumrall began screenwriting in the early 2000s, taking classes at Rice University’s Continued Studies program. His passion for storytelling, coupled with a quarter-life crisis, drove him to immerse himself in screenwriting. His involvement in all aspects of filmmaking began in 2007 when he was cast in the slasher film “SWEATSHOP.” Since then, Sumrall has written several feature-length scripts and has developed a disciplined routine, writing almost daily.
Upcoming Projects and Collaborations
As a writer and director, Sumrall has two feature films under his belt, with a third in pre-production. His completed screenplays include “Vixen With A Vendetta,” a revenge flick set in the world of opera, and “Residue,” a psychological supernatural thriller about a homicide detective with psychic abilities. He is also scripting two short films and has a plethora of ideas waiting on the backburner. Additionally, Sumrall directs music videos, with a trilogy for the darkwave band The Russian White set to coincide with their newest album release in August.
Getting in Touch
For future projects or collaborations, Jeremy Sumrall can be found on Facebook at Jeremy Sumrall – Flickmaker and on Instagram as @nothinginterestingonline. His website, www.jeremysumrallflickmaker.com, provides further insights into his work and upcoming projects.
Community and Support
Sumrall emphasizes the importance of community in the screenwriting process. Though not a member of any formal screenwriting organizations, he regularly consults with a close-knit group of writer friends for feedback and encouragement. This support system is crucial for maintaining motivation and staying grounded.
Current Status and Production Plans
Sumrall is determined to bring “Another Night at Beaver’s” to life as either his third or fourth directorial feature. While another script he optioned in 2020 is currently in development, Sumrall remains open to directing “Another Night at Beaver’s” if the opportunity arises sooner. He is actively seeking producers and investors to help bring this wild and unique story to the big screen.For a visual glimpse into Sumrall’s creative process, he has shared headshots and photos from his time on set, adding a personal touch to this exciting project.
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Daniel Couts: A Brief Overview
Daniel Couts is a dynamic artist whose talents bridge the worlds of music, film, and beyond. Growing up in a musical family within London’s entertainment scene, Couts honed his skills in music, drama, and film and TV studies, quickly diving into directing, acting, and music after college. His recent work includes serving as Executive Producer on the newly released film Hounds of War, featuring Frank Grillo, Robert Patrick, and Rhona Mitra, and dropping his debut EP, Mellow Metal. With a slate of new projects on the horizon, Couts continues to push boundaries, keeping his career diverse and ever-evolving.
We had the privilege of sitting down with Daniel Couts to discuss his latest project, the debut EP ‘Mellow Metal’. In an intimate conversation, Daniel opened up about his creative process, the inspiration behind his music, and his vision for the future of film and music. With his passion and dedication shining through, Daniel shared his unique perspective on the intersection of art and innovation.
Your transition from acclaimed filmmaker to musical artist with “Mellow Metal” is fascinating. How does this genre-defying work reflect your philosophy of breaking boundaries in art?
Personally, I don’t think there should be any boundaries in art. Growing up in a musical family and attending a music school in Athens, Greece, music has always been the root of everything I’ve gone on to do in my life. Since 2019, I’ve been working hard and focusing on my company’s film production work that, sad to say, my music involvement become somewhat stagnant.
So, here we are in 2024, and I’ve decided not to shy away from any ounce of talent I might have. If I enjoy it, I need to do it. Plus, I’m the kind of person who always needs to create—It’s kind of a coping mechanism.
“Mellow Metal” has been described as a “cinematic journey for the ears.” Can you walk us through how you’ve translated your visual storytelling skills into this auditory experience?
That’s an excellent question. I’m not so sure who’s describing the EP as a cinematic journey for the ears, but it’s incredibly creative, and I’m definitely taking it as a compliment! So, thank you. I’d say my two biggest passions in the creative sector are visual storytelling (i.e. directing) and creating music, and I think I’ve developed a similar approach to both: there’s always something deeper than initially meets the eye… or ears.
I love movies that are deep and emotionally evocative, and musically, especially with Mellow Metal, I wanted to create something that blends various styles that I love and something that helps promote positivity, peace, and love. Not just a nice beat and melody, but something emotionally deeper.
You’ve worked with some of Hollywood’s elite. How have these collaborations influenced the creation of “Mellow Metal,” and are there any surprising industry figures who’ve contributed to this project?
I’d love to be able to say that I “produced this EP with so and so,” but unfortunately that’s not the case. I’ve had the privilege of working with and meeting some amazing people in the music and film industry in Greece, the US, and the UK. Every collaboration teaches me so much—both good and bad—and it’s enough to probably write an entire book about it. But regarding the creation of Mellow Metal, there are two people who played a huge role, one of them directly, and one of them indirectly.
The first person is my wife Nika Finch, who is a notable figure in the film and music sector. She actually introduced me to the world of metal music, and although I never thought it would happen, I fell in love with it. She introduced me to incredible bands like Nightwish and HIM; which leads to the second person who played a huge part in the creation of Mellow Metal without knowing it; Ville Valo— former singer from HIM and currently known as VV. After watching him perform live at London’s Royal Albert Hall, I felt so full of inspiration that I went home and just started writing. As a tribute to his great music, I even included my own version of his song Neon Noir on the EP.
Your Greek heritage is a significant part of your identity. How have you woven traditional Greek musical elements into the contemporary sound of “Mellow Metal”?
The answer to this is pretty simple, and one I may be disowned for, but… I didn’t. Not really. My father is a major songwriter and music producer in Greece and I grew up listening to Greek music non-stop and meeting the biggest Greek stars. This was awesome, but my biggest inspirations for Mellow Metal came from pre-existing styles of metal, mainly HIM’s own Love Metal. But, who knows, I may one day incorporate some Greek elements into future songs. In my book, there’s no right or wrong when it comes to art, especially music.
As the CEO of Opulence Pictures, you’re known for producing films that address social issues. How does “Mellow Metal” continue this mission in the realm of music?
Mellow Metal doesn’t directly touch on social issues, but I do aim to use this genre to promote peace and love, hence my MM logo on the cover that includes a dove with guitar necks for wings. That’s the symbol I use, as I think it captures the essence of my music pretty well.
You’ve mentioned synesthesia influencing your creative process. Can you explain how this neurological trait has shaped the soundscape of “Mellow Metal”?
Synesthesia is fascinating, and I actually experience it more when I produce music than I do when involved in film projects. Obviously, there are certain sounds I like when making music, but I tend to visualize the process. Especially with Mellow Metal, as it’s a genre I’ve never experimented with before, I approached each song by determining, not only what sounded right, but what felt right too, in terms of colors or textures. As crazy as it might sound, I would also describe Mellow Metal as a dark, soft velvet-like EP with subtle higher temperatures.
Growing up in a musical family in London must have been quite an experience. Can you share a cherished childhood memory that ignited your passion for both music and film?
There are so many. Growing up, the biggest driving force with regard to music was my parents. My father had a hard time growing up to pursue music as his parents didn’t want him to do so, and so he wanted to make up for that with me. He encouraged me to learn as much as I could and allow my talents to flourish, as did my mother. One of my fondest memories is when my parents surprised me with a drum kit and I spent all my free time playing it. Spoilt, I know, but I’m privileged to have such supporting parents.
Regarding video and film production, I came across that medium on my own and I was completely captivated by it. We had an old camcorder lying around and, after my father allowed me to use it, I became obsessed with it. I was filming anything and everything, and then going to my computer, offloading the footage from the Mini-DV tape, and then editing it all. I fell in love with the art of moving image, and continue to have a deep love and passion for it.
Your work often explores the intersection of different cultures. How has your Greek heritage influenced your artistic vision, and what personal experiences have shaped your unique perspective in the entertainment industry?
Aside from singing the occasional Greek song, I’d say that the biggest influence my Greek heritage has on my work is probably how I approach visual storytelling. I’m currently slated to direct two movies and my directorial style can be somewhat varied. I grew up watching tons of Hollywood movies but I did have my fair share of exposure to European movies as a child too, so my directorial style is probably a mix of both. I love the snappiness that American cinema generally has, but I like the depth of stories that many European movies have to offer.
With regard to personal experiences that have shaped my perspective, I can’t really point to any specific experience that I feel has completely set my unique perspective. We’re all unique, and our lives and experiences have shaped us all, and that’s what I love about music and cinema. Whether I’m listening to an artist or watching someone’s movie, their personalities and perspectives shine through. When it comes to my content, I create what I love. Some people might like it, some might not, but that’s just part of the game.
As someone who’s achieved success in multiple fields, what advice would you give to aspiring creatives who want to diversify their artistic portfolio like you have?
I would say the same thing I’ve been told by those who truly care about me: if you have a passion for something, do it. It’s as simple as that. There’s no need to drop one part of yourself to pursue another. I’ve been there, done that. All it does is waste time. Striking a balance between different projects can certainly be difficult, but once you figure it out, you’ll be fine. Also, take a look at other examples of people who have succeeded in multiple fields—they just do what they love and work hard at it. Don’t give up, and most importantly, don’t let opinions stand in the way. Morgan Freeman once said: “Don’t take criticism from people you would never go to for advice.” Remember that.
“Mellow Metal” seems to be just the beginning. Can you give us a teaser of your grand vision for merging film, music, and perhaps other media in future projects?
Mellow Metal is most certainly just the beginning for me. For starters, I’m already working on new music in the mellow metal genre, which I’d love to promote further. As far as movies go, I’m actively involved in several upcoming motion pictures, and as stated earlier, I’ll be directing two movies in the next couple of years. I think it’s inevitable that my journeys in music and film will overlap, and I look forward to projects that will allow me to do that. As for the immediate future, I’m focusing on live performances in addition to my film production work, and I look forward to seeing where that journey takes me.
As Daniel Couts continues to push boundaries in the music and film industries, he and his partner Roselyn Omaka are also dedicated to empowering fellow creatives through their joint venture, Bolanle Media. If you’re a filmmaker looking to elevate your project and reach new audiences, Bolanle Media offers innovative marketing solutions and collaborative opportunities to bring your vision to life. Whether you’re seeking promotional support, distribution guidance, or strategic partnerships, the Bolanle Media team is committed to helping you succeed. Reach out to them today to explore how they can help amplify your film’s impact and reach.
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