Related: Are They ‘Nepo Babies’? These Celebrity Kids Have Spoken Out About Nepotism
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Dakota Johnson and the Saturday Night Live comedy group Please Don’t Destroy alike understand that they are so-called “nepo babies” — and weren’t afraid to share their status during the Saturday, January 27, episode.
Johnson, 34, hosted the second SNL episode of the year, where she took the time to roast show writers Ben Marshall, Martin Herlihy and John Higgins in one of their Please Don’t Destroy videos.
“How does it feel to be in the least viral Taylor Swift video that she’s ever had?” Johnson asked the trio, referring to the pop star, 34, calling them “three sad virgins” in a 2021 musical skit with Pete Davidson.
After trading barbs about each other’s careers, Higgins, 28, made a dig about Johnson’s 2023 film Daddio.
“Is ‘Daddio’ who you called to get your job?” she nonchalantly responded, referring to John’s father, Tonight Show announcer Steve Higgins.
John replied, “You wanna do the parent thing?”
Dakota Johnson. Rosalind O’Connor/NBC
Dakota, for her part, also has famous parents. She is the daughter of actors Melanie Griffith and Don Johnson, as well as the stepdaughter of Antonio Banderas. (Dakota’s grandmother Tippi Hendren is also a famous actress.) Despite being a so-called “nepo baby,” Dakota didn’t want to address her family in the sketch.
“No, not really,” she said. “Nepo truce?”
John and Martin, the son of former SNL producer Tim Herlihy, agreed as they repeated the phrase, “Nepo Truce,” and flashed matching rings. Dakota was wearing a coordinating rock and touched hers to John’s and Martin’s.
“A foot in the door and so much more,” they chanted as Marshall, who does not have a parent working in Hollywood, tried to join in.
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“I hate when you guys do that,” Marshall, 29, quipped when they pushed his non-bejeweled hand away.
The truce seemingly worked as Martin was ready to let bygones be bygones.
“I don’t know why we’re insulting each other,” Martin, 25, said. “I’m generally a big fan of yours. like, I loved Bigger Splash … is that what you hoped it would make at the box office?”
Dakota has previously been candid about her Hollywood privilege as the daughter of famous stars.
“My life is incredibly lucky and privileged, and the life I led growing up was remarkable — the places I went and how we lived and what we were able to experience,” the Madame Web actress told Vanity Fair in June 2022. “But we also struggled with internal family dynamics and situations and events that are so traumatic.”
Dakota’s parents divorced in 1994, but both attended her SNL afterparty on Saturday alongside Banderas.
Saturday Night Live airs on NBC Saturdays at 11:30 p.m. ET.
Dakota Johnson and the Saturday Night Live comedy group Please Don’t Destroy alike understand that they are so-called “nepo babies” — and weren’t afraid to share their status during the Saturday, January 27, episode. Johnson, 34, hosted the second SNL episode of the year, where she took the time to roast show writers Ben Marshall,
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California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.
These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”
Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
The world of film and entertainment is mourning the loss of Diane Keaton, an Oscar-winning actress renowned for her enduring talent, individuality, and influence on generations of performers and fans. Keaton died at the age of 79 in California on Saturday, October 11, 2025, her family confirmed. Details remain private, with her family requesting privacy as they grieve this profound loss.
Diane Keaton rose to fame in the 1970s through a series of memorable roles, most notably as Kay Adams in “The Godfather” trilogy and as the quirky, unforgettable lead in Woody Allen’s “Annie Hall,” for which she won the Academy Award for Best Actress. Her performances in films like “The First Wives Club,” “Something’s Gotta Give,” and the “Book Club” series solidified her reputation as an actress with unique comedic timing and dramatic depth. Keaton was celebrated not only for her artistry but also for her androgynous fashion sense, characterized by menswear-inspired looks, hats, and an easy, effortless style that influenced generations.
Following the news of her passing, tributes poured in from Hollywood and beyond. Bette Midler, Goldie Hawn, and Jane Fonda were among the countless stars who expressed devastation and admiration for Keaton’s incomparable legacy. Hawn recalled their friendship and collaborations, writing: “Diane, we aren’t ready to lose you…you stole the hearts of the world and shared your genius with millions”. Midler echoed the sentiment, praising Keaton as “brilliant, beautiful, extraordinary” and a truly original presence in Hollywood.
Though fiercely independent and known for her openness, Keaton kept her declining health private in her final months. Friends and neighbors noticed her retreat from public life and social media, and she was recently seen less often in her Brentwood neighborhood. In the past, Keaton candidly discussed her ongoing battles with skin cancer and bulimia, openly advocating for personal health and authenticity.
Diane Keaton leaves behind a legacy defined by her fearless performances, unique style, and enduring influence on the arts. She is survived by her two children, Dexter and Duke. As Hollywood and her global fanbase mourn, her pioneering spirit and unmistakable voice will continue to inspire generations.
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