Related: The Most Memorable ‘Saturday Night Live’ Cameos Through the Years
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Reneé Rapp knows the internet has been discussing her apparent lack of media training — and she’s reclaiming the joke.
Rapp, 24, joined Saturday Night Live host Jacob Elordi and cast member Bowen Yang for a Saturday, January 20, sketch about news outlets trying to read celebrities’ lips after Selena Gomez and Emily Blunt’s respective Golden Globes conversations.
“Why are you doubting us? Do you have no respect for our deep body of work?” Yang, 33, quipped to his costars Heidi Gardner and Ego Nwodim, who were playing TV presenters.
Yang and Elordi, 26, portrayed supposed lip-reading experts, who entrusted their “little lesbian intern Reneé” to further prove that they could accurately report on the celebs’ conversations. (Rapp, in real life, has publicly come out as bisexual.)
“I’ve been going absolutely off in every single interview lately, so now I have to do 40 hours of court-ordered media training,” Rapp, playing herself, quipped in the sketch.
Rapp then joined Yang and Elordi as they attempted to falsely lip-read Gwyneth Paltrow’s court testimony from her 2023 ski crash trial. After speculating that the testimony was pleading guilty to murder, Rapp paid homage to Paltrow’s lifestyle brand.
Jacob Elordi, Reneé Rapp, and Bowen Yang on ‘Saturday Night Live.’ Will Heath/NBC
“Yeah, I totally did with a big knife,” Rapp added. “Goop, Goop, Goop. Love you, baby!”
Rapp has recently been on a press tour to promote her role as Regina George in the new Mean Girls movie musical. After being interviewed by multiple outlets, she later went viral for her unfiltered comments.
During her January 14 appearance on Watch What Happens Live With Andy Cohen, Rapp described herself as “very ageist.”
“I just feel like, I don’t know, I was always the young one in situations [and] millennial women were always coming for me,” she explained to host Andy Cohen. “I was like, ‘Shut up.’ … I fear [getting older one day]. Well, I fear because I’m ageist [and] I talk so much s—t.”
In another recent interview, Rapp told Mean Girls costar Christopher Briney about “a man who owns a bus touring company” named Buddy, who is “such an asshole.”
Renee Rapp on ‘Watch What Happens Live With Andy Cohen.’ Charles Sykes/Bravo
“He was so disrespectful to my friends Priscilla and Bella who I work with and to my mother,” she ranted while Briney, 25, covered his face with his hands. “If you’re watching this, I can’t stand you, and I hope your business burns. You are so disrespectful and so misogynistic. I hate you. … F—k you, Buddy.”
Rapp’s apparently unhinged interviews subsequently received plenty of attention on social media.
“We have to protect Renee Rapp from media training at all costs,” one social media user wrote via X, as another added, “Honestly please keep the media training away from Renee Rapp she is exactly who she needs to be and we LOVE her for that.”
A third pointed out, “The thing I can’t stand about this conversation about Renee Rapp needing media training is that she literally has it. She is media trained, she’s just also herself.”
The Sex Lives of College Girls star also got in on the joke. “Her lack of media training is outrageous,” Rapp wrote via Instagram on Wednesday, January 17, sharing a carousel of photos from the past week.
Saturday Night Live airs on NBC Saturdays at 11:30 p.m. ET.
Reneé Rapp knows the internet has been discussing her apparent lack of media training — and she’s reclaiming the joke. Rapp, 24, joined Saturday Night Live host Jacob Elordi and cast member Bowen Yang for a Saturday, January 20, sketch about news outlets trying to read celebrities’ lips after Selena Gomez and Emily Blunt’s respective
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Every filmmaker aspires to create projects that are not only memorable but also uniquely their own. Finding your creative voice is a journey that requires self-reflection, bold choices, and an unwavering commitment to your vision. Here’s how to uncover your style, take risks, and craft original work that stands out.
Your unique voice begins with recognizing what inspires you.
Tip: Combine what you love with your personal experiences to create a lens that only you can offer.
Example: Wes Anderson’s whimsical, symmetrical worlds stem from his love of classic storytelling and his unique visual style.
Takeaway: Start with what moves you, then add your personal touch.
To stand out, you must be willing to challenge conventions and explore new territory.
Example: Jordan Peele blended horror with social commentary in Get Out, creating a genre-defying film that captivated audiences.
Takeaway: Risks are an opportunity for growth, even if they don’t always succeed.
Original projects resonate when they stem from a place of truth.
Example: Greta Gerwig’s Lady Bird was deeply personal, based on her experiences growing up in Sacramento. The film’s authenticity made it universally relatable.
Takeaway: The more personal the story, the more it resonates.
Style is not just about visuals—it’s how you tell a story across all elements of filmmaking.
Example: Quentin Tarantino’s use of dialogue, pop culture references, and bold music choices makes his work instantly recognizable.
Takeaway: Your style should be intentional, evolving as you grow but always recognizable as yours.
The filmmaking process is full of challenges, but staying true to your voice is essential.
Example: Ava DuVernay shifted from public relations to filmmaking, staying true to her voice in films like Selma and 13th, which focus on social justice.
Takeaway: Your voice evolves with every project, so embrace the process.
Finding your voice as a filmmaker takes time, courage, and commitment. By exploring your influences, taking risks, and staying true to your perspective, you’ll craft stories that not only stand out but also resonate deeply with your audience.
Bolanle Media is excited to announce our partnership with The Newbie Film Academy to offer comprehensive courses designed specifically for aspiring screenwriters. Whether you’re just starting out or looking to enhance your skills, our resources will provide you with the tools and knowledge needed to succeed in the competitive world of screenwriting. Join us today to unlock your creative potential and take your first steps toward crafting compelling stories that resonate with audiences. Let’s turn your ideas into impactful scripts together!

The Michael Jackson biopic Michael is more than celebrity drama; it is a real-time lesson in how legal decisions can quietly rewrite a story that millions of people will see. You do not need a $200M budget for the same forces—contracts, settlements, and rights issues—to shape or even erase key parts of your own work.

The film Michael originally included a third act that addressed the 1993 child sexual abuse allegations and their impact on Jackson’s life and career. Trade reports say this version showed investigators at Neverland Ranch and dramatized the scandal as a turning point in the story. After cameras rolled, lawyers for the Jackson estate realized there was a clause in the settlement with accuser Jordan Chandler that barred any depiction or mention of him in a movie.
Because of that old agreement, the filmmakers had to remove all references to Chandler and rework the ending so the story stopped years earlier, in the late 1980s at Jackson’s commercial peak.
According to reporting, this meant roughly 22 days of reshoots, costing around 10–15 million dollars and pushing the total budget over 200 million.
Meanwhile, actress Kat Graham confirmed her portrayal of Diana Ross was cut for “legal considerations,” showing how likeness and approval issues can wipe out an entire character even after filming.
For audiences, the result is a movie that intentionally avoids one of the most controversial chapters of Jackson’s life, which some critics argue makes the portrait feel incomplete or selectively curated.
The key detail in the Michael story is that a contract signed decades ago could dictate what present-day filmmakers are allowed to show. That settlement clause did not just affect the people who signed it; it effectively controlled the narrative of a big-budget film made years later. This is how legal documents become invisible co-authors: they quietly set boundaries around what your story can and cannot include.
Creators face similar invisible lines with:
Legal commentary warns that fictionalizing real events and people carries heightened risk because audiences tend to connect your dramatization back to actual individuals. That risk does not disappear just because you are “small” or “indie”; impact, not audience size, usually determines exposure.
Independent filmmakers often choose the indie route precisely to maintain creative control, but they can face more risk if they skip legal planning. Common problems include unclear ownership of the script, missing music licenses, handshake agreements with collaborators, and no written permission to use locations or people’s likenesses. These are the kinds of issues that can derail distribution, block a streaming deal, or force last-minute cuts that fundamentally change your story.
Legal guides for indie filmmakers consistently emphasize a few realities:
So when you watch Michael skip over certain events, you are seeing, in exaggerated form, the same forces that can shape an indie short, web series, documentary, or podcast episode.
You do not need a law degree, but you do need a basic legal strategy for your creative work. Here are practical steps drawn from entertainment-law and indie-film resources:
Education-focused legal resources repeatedly stress that preventative steps—basic contracts, clear permissions, and simple registrations—are far cheaper than dealing with takedowns, lawsuits, or forced rewrites later.
The Michael biopic illustrates what happens when legal obligations and creative vision collide: whole characters disappear, endings are rewritten, and the public only sees a version of the story that fits within old contracts.
As an indie filmmaker, writer, or content creator, you may not have millions at stake, but you do have something just as valuable—your voice and your ability to tell the story you meant to tell.
Understanding the legal dimensions of your work is not a distraction from creativity; it is a way of protecting it. When you know where the legal boundaries are, you can design stories that are bold, truthful, and still safe enough to reach the audiences they deserve.

This Mother’s Day in Spring, Texas, you’re invited to do more than just sit at brunch—come dance, sweat, and celebrate at the Mother’s Day AfroFun Praise Party: Gospel Dance, Fitness & Feel‑Good Stats in 60 Minutes. This one‑hour Afrobeat gospel dance class is for men and women, bringing live worship, high‑energy choreography, and real fitness benefits together in one unforgettable experience.
On the mic is powerhouse gospel singer Shawna Pat, known for her heartfelt worship, energetic praise songs, and ministry that makes every room feel like church and concert at the same time. She’ll be leading live vocals all class long, turning each track into a moment to sing along, shout, or just soak in the presence while you move.
On the floor, Andrew from WoWo Boyz and the Kingdrewwskyy crew bring the Afrobeat power. Expect easy‑to‑follow, Afro‑inspired choreography that looks hype on video but still feels doable if you’re brand new to dance. Together, Shawna and Andrew create a “praise party meets fitness class” vibe you can’t get from a playlist or a regular gym session.
This event is built for men and women—moms, dads, sons, daughters, couples, and friends who want to honor the mothers in their lives while doing something healthy and fun. The format is simple: warm‑up, dance‑cardio, a short ministry moment focused on mothers and families, and a cool‑down to breathe and stretch it out.
All levels are welcome. If you can walk and two‑step, you can do this class. You choose your intensity: go all‑in with every jump or keep it low‑impact and still stay in the groove. The music is clean and faith‑filled, so you never have to worry about lyrics or the vibe if you’re inviting church friends or bringing teens.
Behind the fun, this one hour delivers real health wins. Health guidelines recommend at least 150 minutes of moderate‑intensity cardio per week, but less than half of adults hit that number. AfroFun helps close that gap—by making movement feel like a celebration instead of a chore.
In just 60 minutes, many people can:
You walk out with more than photos and memories—you leave with better numbers for your heart, body, and mood.
AfroFun Praise Party happens Sunday, May 10, 4–5 PM at 2400 FM 2920, Spring, TX 77388, with free parking and in‑person, high‑energy vibes. Tickets are limited, and early spots always move fastest once people see Shawna Pat and WoWo Boyz are in the building.

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