Related: Justin Timberlake Through the Years: From ‘Star Search’ to Grammy Winner
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Justin Timberlake went home to Memphis on Friday, January 19, for a free concert and debuted a brand-new single.
During the Orpheum Theater show, Timberlake, 42, played “Selfish” live for the first time.
“If you saw what I saw / they would fall the way I fell,” he sang, per social media footage from the Tennessee crowd. “They don’t know who you are / Baby, I would never tell /If they know what I know / They would never let you go / So, guess what? I ain’t ever letting you go.”
He continued, “‘Cause your lips were made for mine / and my heart would go flatline / if it wasn’t beatin’ for you all the time. / So if I get jealous, I can’t help it/ I want every bit of you, I guess I’m selfish / It’s bad for my mental, but I can’t fight it.”
After the show ended, Timberlake uploaded a brief snippet of the track onto his YouTube, Instagram and TikTok pages. Moments later, he seemingly revealed his next studio album was on the way and uploaded a trailer titled “Everything I Thought I Was,” narrated by Benicio Del Toro.
Justin Timberlake Kevin Mazur/Getty Images for MTV
The video ended with a title card that read, “Justin Timberlake Presents: Everything I Thought It Was.” The LP will be his sixth solo album after Justified, FutureSex/LoveSounds, The 20/20 Experience, The 20/20 Experience — 2 of 2 and Man of the Woods.
While Timberlake’s last album dropped in 2018, his most recent musical release was a reunion with former ‘NSync bandmates JC Chasez, Chris Kirkpatrick, Lance Bass and Joey Fatone. The former boy band dropped their single “Better Together” in September 2023 to accompany Timberlake’s animated movie Trolls Band Together.
“It was a very natural thing. The last 23 years, we’ve all kind of discussed maybe doing something here, maybe doing something there,” Bass, 44, exclusively told Us Weekly in September 2023 of ‘NSync’s surprise reunion. “We did Coachella and we did the VMAs 10 years ago, so it just made sense at that time.”
Fatone, 46, added to Us at the time that the single — fresh off their 2023 VMAs appearance — was “100 percent” a love letter to fans.
“It was just one of those things, like, ‘Wow, OK, we’re doing this.’ So we are just very happy to see what happens,” Fatone gushed. “I mean, again, it’s been 25 years since we really put something or anything out there. So just to be able to be in the studio together [and] have these vibes, it’s really cool.”
One day before dropping “Selfish,” Timberlake revealed that he will return to the Saturday Night Live stage for the first time in 10 years as the Saturday, January 27, episode’s musical guest. Dakota Johnson, with whom he previously costarred in The Social Network, will host.
Justin Timberlake went home to Memphis on Friday, January 19, for a free concert and debuted a brand-new single. During the Orpheum Theater show, Timberlake, 42, played “Selfish” live for the first time. “If you saw what I saw / they would fall the way I fell,” he sang, per social media footage from the
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Jennifer Lopez is once again at the center of a media storm — but this time, it’s her first husband, Ojani Noa, turning up the heat. Following Lopez’s recent Howard Stern Show interview, in which she claimed she has “never been truly loved” by any of her exes, Noa has publicly accused the superstar of cheating and playing the victim.
In the viral Instagram post that has now spread across major outlets like TMZ and New York Post, Noa didn’t hold back.
“Stop putting us down. Stop putting me down with your victim card,” he wrote. “The problem is not us. Not me. The problem is you. You’re the one who couldn’t keep it in your pants.”
Noa and Lopez were married briefly from 1997 to 1998, before her rise to Hollywood superstardom. In his explosive statement, he accused her of being unfaithful during their marriage, claiming she prioritized fame over their relationship.
“You have been loved a few times. You’ve been married four times. And have had countless relationships in between,” Noa continued. “You decided to lie, to cheat on me. You begged me to keep the marriage intact to avoid bad press.”
Noa described himself as “faithful, honest, and loving,” saying he uprooted his life and career to support Lopez at the beginning of her entertainment journey. “I left my family, my friends, everything behind for you,” he wrote, “but once fame came calling, you left me behind.”
As of now, Jennifer Lopez has not publicly responded to Noa’s allegations. During her Howard Stern interview, the singer and actress claimed her former partners “weren’t capable” of loving her, saying, “It’s not that I’m not lovable… it’s that they’re not capable.”
Her remarks were widely interpreted as referencing all of her ex-husbands — including Marc Anthony, Cris Judd, and Ben Affleck — but it was Noa who reacted first and most forcefully. His comments have ignited widespread debate online, with many questioning whether Lopez’s honesty came at the expense of others’ reputations.
The online reaction has been intense, with social media users split between defending Lopez’s right to share her truth and blasting her for allegedly rewriting history. Meanwhile, entertainment analysts note that the controversy adds to an increasingly turbulent year for the singer, following canceled tours, underperforming films, and ongoing scrutiny over her marriage to Affleck.
This latest backlash has also reignited conversations about Lopez’s highly publicized romantic history. As tabloids and fans speculate whether more exes might respond, the situation underscores an old truth in celebrity culture — that every candid confession comes with consequences.
For now, Jennifer Lopez remains silent. But in the court of public opinion, the debate about who’s really at fault in her love story is only just beginning.
By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.
For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”
Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.
That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”
This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.
“We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”
But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.
Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?
As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”
California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.
These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
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