Entertainment
Meghan McCain Calls Former ‘The View’ Cohosts ‘Crazy Old People’ on December 28, 2023 at 12:17 am Us Weekly
Meghan McCain. Dimitrios Kambouris/Getty Images for TIME
Meghan McCain says she’s tired of her name consistently being brought up on The View by former cohosts.
“The thing about The View is that I didn’t know when I signed my contract with ABC that this is forever, that, for the rest of my life, I’m going to be bullied, yelled at, abused, and brought up for years,” McCain, 39, said on the Wednesday, December 27, episode of the “Your Welcome” podcast. “I haven’t been on that show in years. And I’m just trying to live my life.”
McCain, who was a cohost on the ABC talk show from 2017 to 2021, added that she “didn’t know” when she signed on to join The View that she would “have to deal with these crazy old people just yelling about me all of the time.”
“I go whole swaths of time without thinking about them — whole months without thinking about the show or anything,” she continued. “And apparently, I’m just on their minds every day. And it’s pathetic.”
McCain’s remarks were referring to a recent episode of The View in which she previously alleged cohost Ana Navarro made a reference to her political family. (Meghan is the daughter of late senator John McCain.)
During the December 14 broadcast, Navarro, 51, Joy Behar, Whoopi Goldberg, Sunny Hostin, Sara Haines and Alyssa Farah Griffin discussed President Joe Biden’s son Hunter’s decision not to comply with a subpoena to testify in a private hearing about his foreign businesses. (Hunter previously said he preferred a public court appearance.)
“Look, did Hunter Biden influence-peddle on his last name? Yes, he did. So did half of Washington,” Navarro claimed. “People sitting at this table did it!”
After the panel looked at each other to determine who she was referring to, Navarro later clarified she didn’t mean at the table “currently.” While Navarro didn’t name any names, Meghan assumed she was referencing her.
“I don’t understand why my former colleagues @TheView @ABC bring me up and slander me on an almost weekly basis,” she wrote via X (formerly Twitter). “It has been years — move on, I have.”
Meghan noted that she has “never been accused of a crime” in her life and is a “patriotic American.” She added that she has never “influenced peddled” in her life, “let alone with foreign adversaries.”
“Not all politicians children are the same – and I am no Hunter Biden,” she wrote. “All accusations are absurd, defamatory and slanderous. I will be consulting my lawyers regarding what was libeled against me on The View this morning.”
In another response, she added that as a “former employee of ABC News,” she doesn’t “take it lightly” when being accused of engaging in “criminal behavior.”
Elsewhere on Wednesday’s podcast episode, McCain claimed that while she didn’t agree with host Michael Malice’s theory that The View is “malevolent” at its core, the show is a “disorganized place” with people who aren’t “that smart.”
She added that the hosts are given “Hot Topics” to choose from at night, and they’re “sent news articles you walk to talk about the next day.” She noted that “whatever the majority chooses is the topic of the show.”
“So obviously anything that makes Democrats look bad is never chosen,” she said. “I had to go in every morning being like, ‘Hey, whatever news story that makes Biden look bad is the number one news story of the day,’ and there would be a fight over whether or not it should even be aired because the hosts didn’t agree on it. And that was always a battle every day. And there were some news stories that they just wouldn’t cover because it made people look bad. It’s under ABC News and I don’t think that’s totally ethical.”
McCain has often been candid about her grievances about the show since her departure. In October 2021, she claimed The View’s “toxic work environment” was the reason why she left the program.
“My take on the problems of The View are that it’s a show with a lot of demons that started in the beginning, and none of those demons have been exorcized,” she told Variety at the time.
Meghan McCain says she’s tired of her name consistently being brought up on The View by former cohosts. “The thing about The View is that I didn’t know when I signed my contract with ABC that this is forever, that, for the rest of my life, I’m going to be bullied, yelled at, abused, and
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Entertainment
California Bans AI Clones from Replacing Real Talent

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
California Draws a Hard Line: No More AI Clones
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
- Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
- No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
- The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.
Actors Celebrate a Major Victory
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
A New Chapter for the Entertainment Industry
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
Conclusion: Human Talent Takes Center Stage
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Entertainment
Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
Entertainment
Diane Keaton Dies at 79

The world of film and entertainment is mourning the loss of Diane Keaton, an Oscar-winning actress renowned for her enduring talent, individuality, and influence on generations of performers and fans. Keaton died at the age of 79 in California on Saturday, October 11, 2025, her family confirmed. Details remain private, with her family requesting privacy as they grieve this profound loss.

A Distinctive Talent
Diane Keaton rose to fame in the 1970s through a series of memorable roles, most notably as Kay Adams in “The Godfather” trilogy and as the quirky, unforgettable lead in Woody Allen’s “Annie Hall,” for which she won the Academy Award for Best Actress. Her performances in films like “The First Wives Club,” “Something’s Gotta Give,” and the “Book Club” series solidified her reputation as an actress with unique comedic timing and dramatic depth. Keaton was celebrated not only for her artistry but also for her androgynous fashion sense, characterized by menswear-inspired looks, hats, and an easy, effortless style that influenced generations.
Legacy and Tributes
Following the news of her passing, tributes poured in from Hollywood and beyond. Bette Midler, Goldie Hawn, and Jane Fonda were among the countless stars who expressed devastation and admiration for Keaton’s incomparable legacy. Hawn recalled their friendship and collaborations, writing: “Diane, we aren’t ready to lose you…you stole the hearts of the world and shared your genius with millions”. Midler echoed the sentiment, praising Keaton as “brilliant, beautiful, extraordinary” and a truly original presence in Hollywood.

Private Struggles and Final Months
Though fiercely independent and known for her openness, Keaton kept her declining health private in her final months. Friends and neighbors noticed her retreat from public life and social media, and she was recently seen less often in her Brentwood neighborhood. In the past, Keaton candidly discussed her ongoing battles with skin cancer and bulimia, openly advocating for personal health and authenticity.
Remembering Diane Keaton
Diane Keaton leaves behind a legacy defined by her fearless performances, unique style, and enduring influence on the arts. She is survived by her two children, Dexter and Duke. As Hollywood and her global fanbase mourn, her pioneering spirit and unmistakable voice will continue to inspire generations.
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