Entertainment
Justin Long Explains How the ‘Physicality’ of ‘Goosebumps’ Role Affected Him on November 18, 2023 at 4:00 pm Us Weekly

Justin Long in ‘Goosebumps.’ Disney/David Astorga
Justin Long has been having a blast on Goosebumps — but his role as English teacher Nathan Bratt has come with some physical challenges.
During an exclusive interview with Us Weekly ahead of the Friday, November 17, season finale, Long, 45, opened up about filming the scenes where his character is possessed by the ghost of teenager Harold Biddle.
“[The show] gave me a lot of freedom to explore the physicality of jumping back and forth between bodies. And it was the first time that I really felt the consequences — the physiological effects of it,” Long explained to Us. “I started seeing a chiropractor in Vancouver [for] pretty regular adjustments. It kind of did finally take a toll on my body.”
The actor clarified that his extensive filmography also contributed to his health issues, adding, “I don’t think it was this job necessarily. It was just all the other jobs before that I hadn’t been properly stretching and maintaining things. I just wasn’t doing that. I had the arrogance of youth.”
Goosebumps, which premiered in October, follows five teenagers who must work together after accidentally releasing supernatural forces. Halfway through the first season, the main group ended up locked in Harold’s mind, and Mr. Bratt helped them escape.
Mr. Bratt was eventually able to regain control of his body, but not before Long got to play out the character being thrown against lockers and trying to physically fight his way back. After using his experience as inspiration for a book series, Mr. Bratt made a major mistake by bringing back Slappy the Dummy and resurrecting Kanduu so he would have an ending for his story.
Long has tried to justify Mr. Bratt’s controversial decision, which wreaked havoc on the fictional town of Port Lawrence.
“I like the idea that Harold Biddle — having occupied [Mr. Bratt] for a while — may have rubbed off on him a little bit. Just in terms of being a little bit more reactive and in the last episode making a real deal with the devil kind of thing. I wonder if that was influenced by Harold Biddle and Slappy and all that,” Long noted to Us. “I just tried to create [an explanation], because sometimes if you’re making these [narrative] swings [and] jumping in and out of bodies, then you have to try to justify them and keep track of the logic.”
For Long, it was interesting to see Mr. Bratt’s reasoning come down to writer’s block gone awry.
“Having written a few things, that’s always a relatable struggle to not be able to come up with an ending. That was also important, that the stakes [made it] clear that he really wanted this,” he continued. “Being a well-known writer and having this, it was important to him and to his ego and to his sense of purpose. That was to the point where he would dig up this body and that he would go to those lengths.”
During the season finale, viewers saw Mr. Bratt clearly shaken by how his decisions almost led to Kanduu killing all the people in town. Mr. Bratt’s problems, however, are far from over, because he’s now seemingly possessed by Kanduu.
Long, meanwhile, is excited to take on the challenge of playing Mr. Bratt as he is taken over by a much darker force. “It would be fun to explore a totally different character and wrestle with [being taken over] by a much different character,” the actor said. “In this case, [Kanduu] is kind of a real tyrant and a very self-centered person. Whereas I think Harold was more just like a confused and lost teenager.”
Despite Mr. Bratt’s mistakes, Long is thrilled about where the layered character’s story could go from here.
“I was glad that they took it in that direction. I was also really advocating the exploration of what happens psychologically after you’ve been possessed,” he added. Once you get your body back — I was thinking about this a lot — and there’s a scene in the last episode about somebody struggling with this. How invasive it must feel to not have control of your body and somebody else is in there. I thought it was interesting. It was kind of funny to explore that and I hope it goes in that direction.”
Although Long didn’t previously read R.L. Stine’s Goosebumps books, all it took was a glance at the script to make him want to tell Mr. Bratt’s story.
“Horror in general allows a little bit more freedom to explore and to take some bigger swings with the character. Because this was an adult and then he’s possessed by the spirit of Biddle,” Long told Us. “It was interesting to explore that kind of teen alienation and how easy it was at that age to feel alone and unseen and unheard. Sometimes that can manifest in a really unhealthy way.
He concluded: “But really, it was fun playing a teenager. I love youthful characters, but this was different. I got to really explore both the limitations of being a teenager and the freedom of it.”
All episodes of Goosebumps season 1 are now available to stream on Disney+ and Hulu.
Justin Long has been having a blast on Goosebumps — but his role as English teacher Nathan Bratt has come with some physical challenges. During an exclusive interview with Us Weekly ahead of the Friday, November 17, season finale, Long, 45, opened up about filming the scenes where his character is possessed by the ghost
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Entertainment
Selling Your Soul in Hollywood: The Hidden Cost of Fame

By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”
Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.
That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”
This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.
“We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.
Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?
As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”
Entertainment
California Bans AI Clones from Replacing Real Talent

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
California Draws a Hard Line: No More AI Clones
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
- Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
- No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
- The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.
Actors Celebrate a Major Victory
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
A New Chapter for the Entertainment Industry
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
Conclusion: Human Talent Takes Center Stage
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Entertainment
Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
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