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Gavin Rossdale’s Music Has Always Political — And He Has No Plan to Stop Now on September 21, 2023 at 5:48 pm Us Weekly

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Gavin Rossdale Jason LaVeris/FilmMagic

Getting involved with Artist for Action and Sandy Hook Promise makes sense to Gavin Rossdale as much as America’s epidemic of gun violence does not.

“It doesn’t make sense to me that 400 times this year, someone’s gone into a school and shoot more than four people,” Rossdale said while speaking with Us Weekly ahead of Bush‘s show at New York City’s Irving Plaza benefiting the anti-gun violence initiatives. “This doesn’t f—king make sense. You can’t rationalize it. It doesn’t make sense.”

Rossdale, 57, and his band Bush aren’t generally thought of as a socially-conscious rock band, but as he explains to Us, he has always been aware of what’s happening around him.

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“I’m always being quite political and particularly underrated for it because I do it in a way that’s always been on the personal politics,” he says. “On the first record [Sixteen Stone], the song ‘Bomb’ is about growing up in the shadow of the IRA and the Protestants, the Orange Parade march, and things. Where I grew up in North London, there were these bombed shopping centers and buses, and people died, and it was the real thing.”

Related: Boy Brood! Gavin Rossdale and Gwen Stefani’s 3 Sons’ Photos Over the Years

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Gavin Rossdale and Gwen Stefani’s gang! The former couple welcomed three sons before splitting in 2015. The exes began dating in 1995, getting married seven years later in London. The duo went on to welcome Kingston in 2006, followed by Zuma and Apollo in 2008 and 2014, respectively. The No Doubt singer filed for divorce […]

He continued: “The hunger strikes, and [IRA member] Bobby Sands and all that stuff, I grew up with that as the backdrop. And where I lived, my area was next to Kilburn. It’s where I played football for an Irish team. I went to all the Irish pubs on Quicks Road. I was really in it.”

“I’ve been quite heavily into that stuff without ever being flag bearing, just conscious of it,” he adds, “and aware of it as a human being, as anyone would be.”

Rossdale will utilize his awareness and voice on Friday, September 22, when Bush takes the stage at Irving Plaza for a show billed as “a celebration of unity in the fight against gun violence.” It’s also the first in a series of national events held by Artist For Action, a coalition of musicians working to end the epidemic of gun violence in America.

However, even Rossdale knows it’s an uphill battle. “My son [Zuma Rossdale] is a country guy. He has a whole life over there with this other side, where they’re shooting, hunting. It’s their culture,” says Rossdale, who shares 15-year-old Zuma, Kingston, and Apollo with his ex-wife, Gwen Stefani. Stefani, 53, married country star Blake Shelton in 2021 after six years of dating.

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“You’re never going to take guns out of America. Never, never, never. So it’s a moot point,” explains Rossdale. “But I suppose, the [assault] rifles, to me, it’s got to be more about, how does someone in a community get so isolated?”

Rossdale — who changed his citizenship because of his love of America, and three of his four children were born in the country – sees the epidemic of shootings as not necessarily being about the actual gun. “What about the person? What about the community support, the people losing their minds, the lone wolves? How are teachers not recognizing those kids in the class?”

Rossdale wants to highlight how “the mental aspect” of this highly-politicized issue is “the most open to change.”

“How do you stop these people going so far out?” he asks.

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Even Rossdale knows that it’s going to take a lot for Artist For Action and Sandy Hook Promise to end the endless shootings in America. “It’s an uphill struggle to change gun culture,” he says, “but it’s less of a struggle to try raise support for people who are driven [to violence]. Because I think, ‘Are there 400 inherently bad people, or there are 400 people that are driven beyond something?’ It is terrifying, as well.”

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Rossdale says that the issue of gun violence can’t be reduced to a simple fix. “It’s not as basic as, “Oh, hello, I’m nuts, I’m going to go and kill people,’” he says. “It cannot be that basic. It has to be a culture of alienation, a culture of disconnect, a culture of a lack of support that allows these people to turn into psychotic killers. And I think that’s a huge area.”

“I’m just saying, isn’t that part of it?” he says. “It’s not just like, ‘oh, access to guns.’ What about the people pulling the f—king triggers?”

The Artist for Action show will kick off a busy season for Rossdale and Bush. His band will release a career-spanning greatest hits compilation – Loaded: The Greatest Hits 1994-2023 – on November 10 via Round Hill Records. Rossdale wrote and released a new song, “Nowhere to Go But Everywhere,” the namesake of the upcoming North American tour to commemorate the project.

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“I’ve always had a weird relationship with [the collection],” Rossdale tells Us. “I’ve never wanted to do a greatest hits. It’s almost like a ‘sayonara.’ I [have always been] more interested in writing new stuff. Obviously, I did write a new song for [Loaded], but yeah. Greatest Hits.”

Rossdale doesn’t want Loaded to be the closing of his career. The group released its ninth studio album, The Art of Survival, in 2022. For new fans, Loaded will be a perfect introduction to the

“We literally [included] songs chronologically,” says Rossdale. The track list includes 90s alternative radio staples like “Everything Zen,” “Comedown,” “Machinehead,” “Swallowed” and “Glycerine.” Latter hits like “More Than Machines” and “Bullet Holes” are included, as well as a formal recording of the band’s version of The Beatles’ “Come Together.”

“There were 26 Top 40 hits, but we could only put 22 on there or something,” said Rossdale. “So there were four that didn’t make it, which is a bit of a shame, but they said, ‘We ran out of vinyl.’”

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For Rossdale, Loaded is exciting because he collaborated with Chris Ashworth, graphic designer and former art director of alt-rock magazine Ray Gun: “On my first record, Sixteen Stone, I got [Ray Gun graphic designer] Dave Carson [to design the artwork].”

“When I signed a deal [with Interscope], they asked me what I would like, and I said, ‘Ray Gun is the greatest magazine there is. Can we try and contact them?’ So they contacted Dave Carson, and Dave did a fantastic job. We loved it. It had my dog on the album, jumping in Regents Park,” says Rossdale. “We had just his artwork, and it was the sensibility that I loved. And weirdly enough, then full circle, how life is, what, 30 years later, I ended up doing a piece for Marvin Magazine, [owned by] Martin Garret, who used to own Ray Gun. He even had Nylon, and now he has Marvin, and he’s like, ‘I owned Ray Gun.’”

“I said, ‘Oh, my God, I love Dave Carson.’ He goes, ‘Oh yeah, Dave’s an interesting character, but Chris Ashworth is really the guy,’” he explains.

Stephen J. Cohen/Getty Images

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From there, Rossdale began to follow Ashworth on Instagram, who subsequently followed the Bush singer back. The two were in each other’s orbit when it came time to do Loaded. “I thought it’d be cool to come full circle and get Chris to do the artwork for the greatest hits,” says Rossdale. “And Chris’s work is just gorgeous, and it was such a thrill to work with him. I’ve worked with a lot of great artists. It’s such an excuse to collaborate with great people, whether it’s videos or photographers. Yesterday, I worked with Sante D’Orazio, doing the best pictures, and it was just incredible,” he adds. “I love all that stuff. So yeah, I’m so thrilled. The most exciting thing of the record, to me, is the artwork.”

Rossdale explained that during Bush’s tenure, he’s “always chosen the songs on the records, but I’ve never chosen the singles because I’m not the one who has to go and work them.” As a self-professed believer of “people staying in their lanes,” he says, Rossdale hasn’t tried to micromanage his career down to the smallest detail.

“I thought if I try to dictate what things should be, to that degree, even drifting into someone else’s job of knowing what radio wants or what’s happening? That stuff is just not my jam,” he says. “So, I’ve never chosen the singles.”

“I’ve never been surprised or disappointed, like ‘don’t bring the ballad out!’” he adds. “I deliver a record, and they tell me which song they’re excited about. And the label I have now, Round Hill, is great.”

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Rossdale’s creative ambitions have seen him expand beyond music. He dabbled in acting, appearing alongside Keanu Reeves in 2005’s Constantine, in 2004’s Mayor of the Sunset Strip, and The Bling Ring in 2013. He launched the Sea of Sound fashion line and hopes to launch a cooking/interview show, spotlighting both his love of food and company.

“I have a Nutrition Facts thing, which is a guide to humanity, and it incorporates food,” Rossdale says of one of the standout pieces in Sea of Sound. “It’s kind of cool because we have labels on the back of food. I did that for fashion and humanity, a good way of living.”

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Rossdale hopes to translate that passion for the culinary arts into a new venture, as he’s been working on a potential cooking/interview show. He says that he’s close now to getting it made since the WGA/SAG-AFTRA strike has resulted in studios who “turned [him] down last year” to reconsider it.

“I just always loved food,” he tells Us. “I’ve always really enjoyed it. I just found a knack, I think – I just found a connection to it, a natural ability to time things, a natural ability to flavor things, so things taste good.”

He went on to reference his seven-year split from Stefani. “When I got divorced, I thought, OK, new life, how can I do this?’” he continues. “Whenever I cook for people, people will always be a bit surprised. It’s an anomaly. I have people come to my house in LA and say, ‘Well, no one’s ever cooked for me at a house before.’ Very strange. So I just got into it.”

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For Rossdale, his creative exploits are all tied together with a similar philosophy. “I’ve always been into this idea of curation. A life well lived should be a life well curated,” he explains. With cooking, however, he adds that there was a more personal reason for him to pick up the whisk and ladle. “I was honestly just trying to get straightforward ways to stay home and not be leaving my boys, not have to go on tour.”

Though Rossdale will have to hit the road soon, he seems optimistic about the future – as much as a British man with a self-described “gallows’ humor” can be. “I do believe in an order, and an energy, and a connectivity to the universe, and a timing of things,” he says toward the end of the chat. “I really believe that.”

“So, I simply have had the opportunity to make those shows or to bring that clothing line out, where it’s sort of found a way,” he says with a smile. “Now, I feel that there’s a shift where I have set myself up with the greatest opportunity.”

Getting involved with Artist for Action and Sandy Hook Promise makes sense to Gavin Rossdale as much as America’s epidemic of gun violence does not. “It doesn’t make sense to me that 400 times this year, someone’s gone into a school and shoot more than four people,” Rossdale said while speaking with Us Weekly ahead 

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Advice

How Color Shapes Film Mood and Tone

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Color is a powerful storytelling tool in filmmaking. It shapes a film’s tone, influences emotions, and enhances visual storytelling. By understanding color theory and symbolism, filmmakers can craft compelling narratives that resonate with their audience on a deeper level.

1. The Basics of Color Theory in Film

At its core, color theory helps filmmakers choose and combine colors to achieve specific effects.

  • Primary Colors: Red, blue, and yellow are the building blocks of all colors.
  • Color Harmony: Complementary (opposites on the color wheel) and analogous (adjacent colors) schemes create visual balance or tension.
  • Warm vs. Cool Colors: Warm tones (red, orange, yellow) evoke energy and passion, while cool tones (blue, green, purple) create calmness or melancholy.

Understanding these basics allows filmmakers to design palettes that support their story’s emotional arc.

2. Setting the Tone with Color Palettes

A film’s color palette sets the mood and reinforces its themes.

  • Monochromatic Schemes: Using shades of a single color can create a minimalist and cohesive look, as seen in Moonlight.
  • Contrasting Colors: Films like Amélie use vibrant contrasts to highlight whimsy and vibrancy.
  • Muted Tones: Desaturated colors in The Road evoke despair and a bleak post-apocalyptic world.

Choosing the right palette ensures the audience feels the intended emotions without overt exposition.

3. The Emotional Language of Colors

Colors evoke specific emotions and associations, making them essential for visual storytelling.

  • Red: Passion, danger, or power (Schindler’s List: The girl in the red coat).
  • Blue: Sadness, serenity, or isolation (Her: Melancholy longing).
  • Yellow: Joy, caution, or decay (Breaking Bad: The descent into moral chaos).
  • Green: Growth, envy, or the unnatural (The Matrix: A digital world).

Consider your story’s themes when assigning symbolic meanings to colors.

4. Practical Tips for Using Color on a Budget

Big budgets aren’t required to use color effectively.

  • Lighting: Experiment with gels and filters to alter light color.
  • Costume and Set Design: Coordinate wardrobe and props to align with your palette.
  • Post-Production: Use color grading software to fine-tune tones and hues.

Indie filmmakers can create visually stunning projects by focusing on intentional color choices during pre-production.

5. Famous Examples of Color in Film

Learn from cinematic classics that masterfully use color:

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Analyze these examples to inspire your own projects.

Conclusion

Color is more than a visual element—it’s a storytelling powerhouse. By understanding its emotional impact and mastering its practical application, filmmakers can elevate their craft. Whether you’re working on a blockbuster or an indie film, thoughtful color choices can make your story unforgettable.

Bolanle Media is excited to announce our partnership with The Newbie Film Academy to offer comprehensive courses designed specifically for aspiring screenwriters. Whether you’re just starting out or looking to enhance your skills, our resources will provide you with the tools and knowledge needed to succeed in the competitive world of screenwriting. Join us today to unlock your creative potential and take your first steps toward crafting compelling stories that resonate with audiences. Let’s turn your ideas into impactful scripts together!

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Advice

The Silence Says It All: How Subtext Elevates Your Story

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Subtext is the unsaid, the invisible layer of meaning that lies beneath the surface of a film’s dialogue, visuals, and symbolism. It’s the art of showing, not telling, and it’s what makes a film linger in the audience’s mind long after the credits roll. Mastering subtext allows filmmakers to craft nuanced stories that resonate on a deeper level.

1. What is Subtext and Why Does It Matter?

Subtext is the implicit meaning that audiences infer from a scene, rather than what’s explicitly stated. It adds complexity to a story, inviting viewers to engage actively.

  • Creates Depth: Subtext transforms simple scenes into layered narratives.
  • Enhances Realism: In life, people rarely say exactly what they feel. Subtext reflects this truth.
  • Builds Engagement: Viewers are drawn into the story, piecing together hidden meanings.

For example, a character who says, “I’m fine” but clenches their fists conveys a conflict that words alone cannot express.

2. Subtext in Dialogue: When Words Aren’t Enough

Dialogue often works best when it’s indirect. Instead of spelling things out, let characters reveal their emotions through what they don’t say.

  • Understatement: Simple words can carry powerful emotions. For instance, in Lost in Translation, Bob’s whispered goodbye is packed with unspoken meaning.
  • Dual Meanings: Characters may say one thing but mean another. This is common in romantic tension or conflict.
  • Silence: Sometimes, the absence of dialogue speaks louder than words. Awkward pauses or loaded silences can heighten drama.

3. Visual Subtext: Telling Stories Through the Frame

Cinematography, production design, and blocking are key to creating visual subtext.

  • Symbolic Imagery: Objects, colors, and settings can suggest deeper themes. In Schindler’s List, the red coat among black-and-white imagery symbolizes lost innocence.
  • Character Placement: The distance between characters in a frame can convey emotional separation or closeness.
  • Lighting and Shadows: Play with light and darkness to reflect inner turmoil or duality.

Subtext in visuals is about layering meaning into the mise-en-scène, rewarding attentive viewers.

4. Using Symbolism to Reinforce Subtext

Symbolism is a powerful tool for embedding subtext into your story.

  • Recurring Motifs: Repeated elements, like the spinning top in Inception, invite interpretation.
  • Props with Purpose: Everyday objects can carry symbolic weight. A broken clock might signify a disrupted timeline or lost hope.
  • Nature as Subtext: Weather and landscapes often mirror emotional states. A thunderstorm during a breakup scene reflects inner chaos.

5. How to Develop Subtext in Your Script

Incorporating subtext requires intentionality. Here’s how to weave it into your film:

  • Know Your Characters: Understand their motivations and fears. Subtext often stems from what they’re unwilling to reveal.
  • Think Beyond Dialogue: Focus on nonverbal cues—gestures, glances, or even a character’s posture.
  • Collaborate with Your Team: Work with your cinematographer, production designer, and editor to ensure subtext is carried through visuals and pacing.

6. The Risks and Rewards of Subtext

While subtext enriches storytelling, it requires balance.

  • The Risks:
    • Too subtle, and the audience might miss your message.
    • Too overt, and it loses its mystery.
  • The Rewards:
    • Engaged audiences who feel part of the discovery process.
    • Stories that resonate emotionally and intellectually.

Study films like The Godfather or Her for masterclasses in how subtext elevates storytelling.

Conclusion

The true power of subtext lies in its ability to connect audiences with your story on a deeper level. By blending nuanced dialogue, evocative visuals, and purposeful symbolism, you can craft films that linger in hearts and minds. In the art of filmmaking, sometimes saying less truly means saying more.

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Bolanle Media is excited to announce our partnership with The Newbie Film Academy to offer comprehensive courses designed specifically for aspiring screenwriters. Whether you’re just starting out or looking to enhance your skills, our resources will provide you with the tools and knowledge needed to succeed in the competitive world of screenwriting. Join us today to unlock your creative potential and take your first steps toward crafting compelling stories that resonate with audiences. Let’s turn your ideas into impactful scripts together!

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Entertainment

Press Release: “Trapped,” A Feature Film

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FOR IMMEDIATE RELEASE

Exciting Announcement: “Trapped” – A Future Feature Film 🎥 has been released on 10/11/2024 !!!

We are thrilled to announce the highly anticipated release of “Trapped,” a groundbreaking feature film is now streaming on your favorite networks. Please watch and leave a review. Like and share!

In addition to “Trapped,” we are excited to share that the iconic Joan is making her triumphant return to the stage after a remarkable 20-year journey of writing for film and television.You could say:

“She is among the few pioneers in transmedia storytelling, joining the ranks of iconic franchises like The Matrix, Star Wars, and Harry Potter in exploring narratives across multiple platforms.”

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This phrasing highlights her unique contribution while acknowledging the established successes in the field.

She will be performing her award-winning screenplay and book originally titled “Beyond the Vows” and now reimagined as “Love Brought Me Back as a stageplay. This special performance will take place at the Match Theater on Main Street, featuring the talented Houston Tate and a stellar cast of stage actors.

Performance Details:

  • Title: Love Brought Me Back
  • Date: January 11, 2025
  • Location: Match Theater on Main Street
  • Time: 5:00pm

We encourage everyone to invite their friends and family to what is sure to be an unforgettable night of theater. Join us as we celebrate Joan’s return and the magic of live performance!

Ticket Information:
Discounted Tickets for the performance will be available for purchase at the Match Theater from November 26 through November 29. Be sure to visit us during this limited time to secure your tickets and enjoy exclusive discounts!

Bolanle Media is excited to announce our partnership with The Newbie Film Academy to offer comprehensive courses designed specifically for aspiring screenwriters. Whether you’re just starting out or looking to enhance your skills, our resources will provide you with the tools and knowledge needed to succeed in the competitive world of screenwriting. Join us today to unlock your creative potential and take your first steps toward crafting compelling stories that resonate with audiences. Let’s turn your ideas into impactful scripts together!

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