Entertainment
Doja Cat Is Stylin’ and Profilin’ Like WWE’s Ric Flair on New Song on September 15, 2023 at 7:15 pm Us Weekly

Doja Cat with an inset of Ric Flair. Getty Images (2)
Ric Flair famously claimed, “To be the man, you got to beat the man” — and now, Doja Cat has used “The Nature Boy” to declare how she’s hip-hop’s new heavyweight champ.
The 74-year-old WWE Hall of Famer’s voice opens Doja’s new song, “Balut,” released Friday, September 15. “Remember, girls. None of you can be first, but all of you can be next,” says Flair in audio taken from audio recorded earlier in the year, per Complex. Whereas Flair was using it as an invite, Doja used the audio to issue a warning to all her competitors.
“I’m the shit, you a real piece of s—t / I am needed, you a real needy bitch,” raps Doja in the song (which takes its name from street food where a fertilized duck embryo is boiled or steamed in its shell.) “I’m competing, you are incompetent/ You are fleeting ’cause you can’t copy this / Copy this, copy that / Every bitch that is here copy ‘Cat / Copy the greats, that’s my number one strategy / But beware that you can’t copy stats.”
The song conveys Doja’s confidence and cool demeanor as her floor pairs well with the dreamy production courtesy of Yeti Beats, Rogét Chahayed, and Kurtis McKenzie (The Arcade). It also acts as the fourth single from her upcoming album due on September 22.
“Balut” caps off a banner week that saw her light up the stage at the 2023 MTV Video Music Awards with an epic medley of his songs “Attention,” “Paint the Town Red” and “Demons.” Doja also walked out of the September 12 ceremony with a Moon Person, as her video for “Attention” won the award for Best Art Direction.
Even before the show began, Doja made a splash on the red carpet by getting into the Spooky season with her outfit. Doja walked into Newark, New Jersey’s Prudential Center wearing a custom spider web-like dress made by Monse. It was giving haunted house by way of New York Fashion Week, as Doja – who went topless in the barely-there gown – looked scary good in the sexy outfit.
Doja will end September on a high note by releasing her fourth studio album, Scarlet. “I know that I’ve done a lot of pink and soft things, a lot of pop and glittery sounds,” Doja said in a 2023 interview with Variety, “but for this next era, I’m going in a more masculine direction.”
In the interview, she referenced “Vegas,” her single on the Elvis original motion picture soundtrack. “That was one of the greatest experiences,” she says, “because everyone knows [Elvis Presley’s] ‘Hound Dog,’ but I was able to give it my own spin. I went in and I was like, ‘Finally, I get to rap again.’ A lot of people discredit me, so it’s nice to just put another one in the f—kg bucket for a great rap song.”
The year hasn’t been without controversy for Doja Cat. In July, she attacked her fans describing themselves as “kittenz,” saying that nickname was one that she came up with “when I was an alcoholic teen” and that it was time for fans to “get off your phone and get a job and help your parents with the house.” This drama was the final for some ex-“kittenz,” as some of Doja’s top fan pages deactivated their accounts following this incident.
Ric Flair famously claimed, “To be the man, you got to beat the man” — and now, Doja Cat has used “The Nature Boy” to declare how she’s hip-hop’s new heavyweight champ. The 74-year-old WWE Hall of Famer’s voice opens Doja’s new song, “Balut,” released Friday, September 15. “Remember, girls. None of you can be
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Entertainment
Selling Your Soul in Hollywood: The Hidden Cost of Fame

By all appearances, Hollywood is a dream factory — a place where charisma, talent, and luck collide to create stars. But behind the camera lights and red carpets lies a conversation few inside the industry speak openly about: the spiritual and moral price of ambition.

For actor Omar Gooding, the idea of “selling your soul” in Hollywood isn’t a metaphor — it’s a moral process that begins with tiny compromises. In an October 2025 interview, Gooding explained that no one in Hollywood makes a literal deal with the devil. Instead, it’s the quiet yeses, the moments when comfort overrides conviction, that mark the beginning of the trade. “They don’t say, ‘Take this or you’ll never make it,’” he said. “They just put it in front of you. You choose.”
Those choices, he argues, create a pattern. Once you show that you’ll accept something you once resisted, the industry notices. “Hollywood knows who it can get away with what,” Gooding said. “One thing always leads to another.” The phrase “selling your soul,” in this context, means losing your say — doing what you’re told rather than what you believe in.
That moral tension has long shadowed the arts. Comedians like Dave Chappelle, who famously walked away from millions to preserve his creative integrity, often serve as examples of where conviction and career collide. In resurfaced interviews, Chappelle hinted that he felt manipulated and silenced by powerful figures who sought control of his narrative, warning that “they’re trying to convince me I’m insane.”
This isn’t just about conspiracy — it’s about agency. Hollywood runs on perception. Performers are rewarded for being agreeable, moldable, entertaining. Those who question the machine or refuse the script risk exile, while those who conform are elevated — sometimes beyond what they can handle.
“We see the ‘collections’ all the time,” Gooding explained. “When the bill comes due, you can tell. They made that deal long ago.”

But the story doesn’t end in darkness. Gooding also emphasizes that in today’s entertainment landscape, artists have more control than ever. With streaming, social media, and creator‑driven platforms, performers don’t have to “play the game” to be seen. Independent creators can build their own stages, speak their own truths, and reach millions without trading authenticity for access.
Still, the temptation remains — recognition, validation, quick success. And every generation of artists must answer the same question: What are you willing to do for fame?
As Gooding put it, “You just make the best choices you can. Because once it’s gone — your name, your peace, your soul — there’s no buying it back.”
Entertainment
California Bans AI Clones from Replacing Real Talent

California just made a dramatic stand for human creativity, defeating the threat of AI actor clones with a sweeping new law that puts people—not algorithms—back in the Hollywood spotlight. With the stroke of Governor Gavin Newsom’s pen in October 2025, the state has sent a clear message to studios, tech companies, and the world: entertainment’s heart belongs to those who create and perform, not to digital facsimiles.
California Draws a Hard Line: No More AI Clones
For months, the entertainment industry has been divided over the use of artificial intelligence in filmmaking. Studios, lured by promises of cost-cutting and creative flexibility, have invested in software that can mimic an actor’s face, voice, and even emotional range. But for performers, this wave of synthetic reproduction has triggered alarm—encouraged by chilling stories of deepfakes, unauthorized digital doubles, and contracts that let studios reuse a star’s likeness indefinitely, sometimes without pay or approval.
The new California law, anchored by AB 2602 and AB 1836, changes everything:
- Every contract must explicitly detail how studios can use digital replicas or voice models, preventing once-common “blank check” agreements that overlooked this risk.
- No one—not studios nor streaming giants—can create or release AI-generated clones of an actor, living or dead, without clear, written consent from the performer or their estate.
- The law gives families new powers to defend loved ones from posthumous deepfake exploitation, closing painful loopholes that once let virtual versions of late icons appear in new ads, films, or games.
Actors Celebrate a Major Victory
The legislation rides the momentum of the recent SAG-AFTRA strike, where real-life talent demanded control over their own digital destinies. Leaders say these protections will empower artists to negotiate fair contracts and refuse participation in projects that cross ethical lines, restoring dignity and choice in an industry threatened by silent algorithms.
Stars, unions, and advocacy groups are hailing the law as the most robust defense yet against unwanted AI replications.
As one actor put it, “This isn’t just about money—it’s about identity, legacy, and respect for real artists in a synthetic age.”
A New Chapter for the Entertainment Industry
California’s move isn’t just a victory for local talent—it’s a warning shot to studios everywhere. Companies will now be forced to rethink production pipelines, consult legal counsel, and obtain proper clearance before digitally cloning anyone. Global entertainment platforms and tech developers will need to comply if they want to do business in the world’s entertainment capital.

These laws also set a template likely to ripple through other creative fields, from musicians whose voices can be synthesized to writers whose work could be mimicked by generative AI. For now, California performers finally have a powerful shield, ready to fight for the right to shape their own public image.
Conclusion: Human Talent Takes Center Stage
With its no-nonsense ban on AI actor clones, California draws a bold line, championing the work, likeness, and very humanity of its creative stars. It’s a landmark step that forces the entertainment industry to choose: respect real talent, or face real consequences. The age of the consentless digital double is over—human performers remain the true source of Hollywood magic.
Entertainment
Chaos and Comedy: Darby Kingman’s “Camp Wackapoo: Rise of Glog”

Darby Kingman’s “Camp Wackapoo: Rise of Glog” redefines summer camp comedy with a wild, energetic story about ambition, chaos, and the joy of embracing the unexpected. The film centers on a relentlessly competitive camp counselor who’s determined to finish first—only to face a motley crew of unruly campers and a summer unlike any other.
As Darby puts it, “Not everything is that deep. It really honestly was to make people laugh. She has all these kids that are not working with her and she’s just losing her mind. It’s crazy, silly, goofy, and it was a blast.”
What started as a simple scene for Darby’s acting reel evolved into a full-fledged film with encouragement from her mentor at Debbie Reynolds Acting School. Darby dove into every role—writing, directing, starring, and meticulously preparing each prop and costume. “Plan and prepare, but also be flexible and ready to be in the moment—that’s when the magic happens,” she advises.
Working with a handpicked cast of her own dance students, Darby built an atmosphere of real teamwork and camaraderie. She credits the “precious” energy of her young cast, her creative director of photography, and the overall spirit of her production team for turning the project into something bigger than herself. Her experience is an inspiring blueprint for indie filmmakers:
“Take initiative and control of your career. You can’t just sit around and wait for somebody to pick you. Figure out what you’re good at and go for it. Create something that brings joy to others.”

Her production motto? “Preparation is key, but you have to be ready to go with the flow—that’s when the magic happens.” Darby’s fearless creativity, focus on collaboration, and love for comedy shine throughout “Camp Wackapoo: Rise of Glog.” It’s more than just a camp satire—it’s a heartfelt testament to hard work, original humor, and leadership from the ground up: “People need to laugh right now. That’s a win.”
Catch “Camp Wackapoo: Rise of Glog” and experience Darby’s infectious energy and comic genius at the Deluxe Theatre on November 1, 2025. Get your tickets now at Houstoncomedyfilmfestival.com.
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