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90 Day Fiance Season 10 Faces Criticism from Fans, Might Just Need a Better Trailer on September 14, 2023 at 2:35 pm The Hollywood Gossip

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If you haven’t seen the 90 Day Fiance Season 10 trailer, then you don’t know the epic highs and lows that next month will bring.

The 90 Day Fiance Season 10 cast will include six new couples. We’re already seeing a lot of exciting potential for them.

There’s also one returning couple: Gino and Jasmine.

A lot of fans are expressing disappointment, and it’s not only about this toxic pair. But there are also good things to look forward to.

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90 Day Fiance Season 10 will premiere on October 8, 2023. (TLC)

Season 10 is a big deal. Even in the world of reality television — where costs are so much lower than they are for real shows — very few series make it to a tenth season.

But 90 Day Fiance is and remains one of the most monumentally successful reality shows in history. Yes, even recent 90 Day ratings confirm that it’s dominating its timeslot.

So why are people complaining about what little we know about Season 10? There are a few reasons.

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Somehow, Gino Palazzolo and Jasmine Pineda returned for 90 Day Fiance Season 10. This is their official TLC promo photo. (TLC)

Gino and Jasmine have returned

First and foremost, it’s because Gino and Jasmine are back.

If more time had passed, maybe people would be more receptive to this. Maybe.

But it’s not just that Gino and Jasmine were “recently” on our screens. They are on a currently airing season.

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Even Gino and Jasmine’s reconciliations involve awkward silences and plenty of tears. (TLC)

Gino and Jasmine on Season 6

This trailer came just a couple of days after Jasmine’s pitiful, tearful re-proposal to Gino.

And 90 Day Fiance: Before The 90 Days Season 6 isn’t done yet, either.

Which means that viewers are getting back-to-back Gino and Jasmine coverage. That’s not all bad … but it’s a lot to go through. Their drama is endless.

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Judging from the Season 10 trailer, this line from Before The 90 Days was the biggest lie that Jasmine’s ever told. (TLC)

It’s not just that Gino and Jasmine have the same drama again and again.

(The vicious cycle is that things are good, things are weirdly horny. Then Gino does something mild or nothing at all, Jasmine has a screaming meltdown. Rare exceptions, like Gino’s unthinkable betrayal when he leaked her nudes, do not improve things)

The problem is also that Jasmine’s previous promises to change ring hollow. She’s not getting any better. Season 10’s supertease trailer made that alarmingly clear.

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Reunited at the airport in Michigan, Jasmine Pineda insists that Gino Palazzolo stick out his tongue so that she can … oh dear. (TLC)

Gino and Jasmine on Season 10

At the start of their “screen time” during the supertease, only one thing has changed about Gino and Jasmine.

They’re now in Michigan, not Panama. It’s finally time for their K-1 visa journey together.

They’re clearly still awkward (Gino) and loudly horny (Jasmine). And they’re also still a disaster.

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Jasmine Pineda finds what appears to be a makeup applicator in Gino Palazzolo’s car on 90 Day Fiance Season 10. We’re sure that she’ll be so calm and normal about this. (TLC)

If the supertease is any indication, Jasmine appears to go to 0 to 100 over finding a makeup applicator in Gino’s car.

It is seemingly not hers. Jasmine decides that it must belong to another woman.

Jasmine could have further reason to believe that he’s cheating.

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Jasmine Pineda flies off the handle, accusing Gino Palazzolo of being “a f–king cheater” on the 90 Day Fiance Season 10 supertease. (TLC)

Tantrum time

But given that this is a woman who once had a screaming meltdown over the color of paint of Gino’s walls, she doesn’t need a reason.

Jasmine does not need a reason because she is unreasonable.

Even in the unlikely event that Gino cheated, she should not be bursting out of his car and wandering around in freezing Michigan temperatures like this.

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Distraught, Jasmine Pineda walks away from Gino’s vehicle, crying in what is likely the coldest rain that she has ever experienced in her life. (TLC)

Simply put, nothing seems to have changed for these two. And their existing behavior is off-putting at best.

A lot of people wish that they’d break up and find happiness.

Gino and Jasmine are so different. If anything, this twisted relationship seems to be making them into worse people. We’re morbidly curious about them, but that’s it.

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Sophie committed to Robert and he to her. The plan is that she’ll move to live with him in the US. But their 90 Day Fiance Season 10 journey involves her learning what his life is really like. (TLC)

Then there are Robert and Sophie

Robert and Sophie are new to the franchise. And, to be clear, we have nothing against them.

But they seem to be reminding a lot of fans (myself included) of another couple from this franchise.

Jibri and Miona had similar vibes. They ended up clashing with Jibri’s parents a lot, and Jibri alienated a lot of viewers at the Tell All.

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Robert and Sophie of 90 Day Fiance Season 10 appear on the supertease. (TLC)

To be clear, we only have a few seconds of info on Robert and Sophie.

She’s British, she’s younger, she very reasonable doesn’t want to become pregnant, and she learns that Robert comes from a humble background.

But if their story is going to be too similar to Jibri and Miona, a lot of fans would rather pass. That said, it could always just be misleading editing.

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After nearly two decades apart, Nikki is giving Justin a second chance. He is a more mature person these days. (TLC)

And Nikki and Justin

Justin is not the franchise’s first Moldovan guy. And Nikki is only the franchise’s second transgender woman.

There is a lot of potential for their story. Especially since Nikki is in her forties, and obviously has different experiences than a trans man like Gabe or a younger trans woman like Cleo.

But while her gender has played a big role in her history with Justin, there’s a broader element to their story that gets on viewers’ nerves.

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Very fairly, Nikki asks Justin this relationship really makes sense. They could be repeating a mistake, or making whole new ones. (TLC)

We have all seen couples on this show where one of them doesn’t seem attracted to the other. It’s hard to watch, it’s frustrating, and it’s sad.

Now, again, maybe the supertease is misleading.

That is often the job of reality TV trailers.

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But is it the trailer’s job to discourage potential viewers?

There looks to be some really interesting stuff coming (possibly with all three of the couples that we’ve mentioned), but maybe we need a new, better trailer.

And soon. Season 10 premiers on October 8!

90 Day Fiance Season 10 Faces Criticism from Fans, Might Just Need a Better Trailer was originally published on The Hollywood Gossip.

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If you haven’t seen the 90 Day Fiance Season 10 trailer, then you don’t know the epic highs and lows …
90 Day Fiance Season 10 Faces Criticism from Fans, Might Just Need a Better Trailer was originally published on The Hollywood Gossip. 

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What We Can Learn Inside 50 Cent’s Explosive Diddy Documentary: 5 Reasons You Should Watch

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50 Cent’s new Netflix docuseries about Sean “Diddy” Combs is more than a headline-grabbing exposé; it is a meticulous breakdown of how power, celebrity, and silence can collide in the entertainment industry.

Across its episodes, the series traces Diddy’s rise, the allegations that followed him for years, and the shocking footage and testimonies now forcing a wider cultural reckoning.

For viewers, it offers not just drama, but lessons about media literacy, accountability, and how society treats survivors when a superstar is involved.

Rapper 50 Cent pictured in Tup Tup Palace night club with owners James Jukes and Matt LoveDough, Newcastle, UK, 7th November 2015

1. It Chronicles Diddy’s Rise and Fall – And How Power Warps Reality

The docuseries follows Combs from hitmaker and business icon to a figure facing serious criminal conviction and public disgrace, mapping out decades of influence, branding, and behind-the-scenes behavior. Watching that arc shows how money, fame, and industry relationships can shield someone from scrutiny and delay accountability, even as disturbing accusations accumulate.

Rapper 50 Cent pictured in Tup Tup Palace night club with owners James Jukes and Matt LoveDough, Newcastle, UK, 7th November 2015

2. Never-Before-Seen Footage Shows How Narratives Are Managed

Exclusive footage of Diddy in private settings and in the tense days around his legal troubles reveals how carefully celebrity narratives are shaped, even in crisis.

Viewers can learn to question polished statements and recognize that what looks spontaneous in public is often the result of strategy, damage control, and legal calculation.

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3. Survivors’ Stories Highlight Patterns of Abuse and Silence

Interviews with alleged victims, former staff, and industry insiders describe patterns of control, fear, and emotional or physical harm that were long whispered about but rarely aired in this detail. Their stories underline how difficult it is to speak out against a powerful figure, teaching viewers why many survivors delay disclosure and why consistent patterns across multiple accounts matter.

4. 50 Cent’s Approach Shows Storytelling as a Tool for Accountability

As executive producer, 50 Cent uses his reputation and platform to push a project that leans into uncomfortable truths rather than protecting industry relationships. The series demonstrates how documentary storytelling can challenge established power structures, elevate marginalized voices, and pressure institutions to respond when traditional systems have failed.

5. The Cultural Backlash Reveals How Society Handles Celebrity Accountability

Reactions to the doc—ranging from people calling it necessary and brave to others dismissing it as a vendetta or smear campaign—expose how emotionally invested audiences can be in defending or condemning a famous figure. Watching that debate unfold helps viewers see how fandom, nostalgia, and bias influence who is believed, and why conversations about “cancel culture” often mask deeper questions about justice and who is considered too powerful to fall.

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South Park’s Christmas Episode Delivers the Antichrist

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A new Christmas-themed episode of South Park is scheduled to air with a central plot in which Satan is depicted as preparing for the birth of an Antichrist figure. The premise extends a season-long narrative arc that has involved Satan, Donald Trump, and apocalyptic rhetoric, positioning this holiday episode as a culmination of those storylines rather than a stand‑alone concept.

Episode premise and season context

According to published synopses and entertainment coverage, the episode frames the Antichrist as part of a fictional storyline that blends religious symbolism with commentary on politics, media, and cultural fear. This follows earlier Season 28 episodes that introduced ideas about Trump fathering an Antichrist child and tech billionaire Peter Thiel obsessing over prophecy and end‑times narratives. The Christmas setting is presented as a contrast to the darker themes, reflecting the series’ pattern of pairing holiday imagery with controversial subject matter.

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Public and political reactions

Coverage notes that some figures connected to Donald Trump’s political orbit have criticized the season’s portrayal of Trump and his allies, describing the show as relying on shock tactics rather than substantive critique. Commentators highlight that these objections are directed more at the depiction of real political figures and the show’s tone than at the specific theology of the Antichrist storyline.

At the time of reporting, there have not been widely reported, detailed statements from major religious leaders focused solely on this Christmas episode, though religion-focused criticism of South Park in general has a long history.

Media and cultural commentary

Entertainment outlets such as The Hollywood Reporter, Entertainment Weekly, Forbes, Slate, and USA Today describe the Antichrist arc as part of South Park’s ongoing use of Trump-era and tech-world politics as material for satire.

These reports emphasize that the show’s treatment of the Antichrist, Satan, and prophecy is designed as exaggerated commentary rather than doctrinal argument, while also acknowledging that many viewers may see the storyline as offensive or excessive.

Viewer guidance and content advisory

South Park is rated TV‑MA and is intended for adult audiences due to strong language, explicit themes, and frequent use of religious and political satire. Viewers who are sensitive to depictions of Satan, the Antichrist, or parodies involving real political figures may find this episode particularly objectionable, while others may view it as consistent with the show’s long‑running approach to controversial topics. As with previous episodes, individual responses are likely to vary widely, and the episode is best understood as part of an ongoing satirical series rather than a factual or theological statement.

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Sydney Sweeney Finally Confronts the Plastic Surgery Rumors

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Sydney Sweeney has decided she is finished watching strangers on the internet treat her face like a forensic project. After years of side‑by‑side screenshots, “then vs now” TikToks, and long comment threads wondering what work she has supposedly had done, the actor is now addressing the plastic surgery rumors directly—and using them to say something larger about how women are looked at in Hollywood and online.

Sweeney at the 2025 Toronto International Film Festival red carpet premiere of Christy

Growing Up on Camera vs. “Before and After” Culture

Sweeney points out that people are often mistaking normal changes for procedures: she grew up on camera, her roles now come with big‑budget glam teams, and her body has shifted as she has trained, aged, and worked nonstop. Yet every new red‑carpet photo gets folded into a narrative that assumes surgeons, not time, are responsible. Rather than walking through a checklist of what is “real,” she emphasizes how bizarre it is that internet detectives comb through pores, noses, and jawlines as if they are owed an explanation for every contour of a woman’s face.

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The Real Problem Isn’t Her Face

By speaking up, Sweeney is redirecting the conversation away from her features and toward the culture that obsesses over them.

She argues that the real issue isn’t whether an actress has had work done, but why audiences feel so entitled to dissect her body as public property in the first place.

For her, the constant speculation is less about curiosity and more about control—another way to tell women what they should look like and punish them when they do not fit. In calling out that dynamic, Sweeney isn’t just defending herself; she is forcing fans and followers to ask why tearing apart someone else’s appearance has become such a popular form of entertainment.


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