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Shanna Moakler Claims Travis Barker and Kim Kardashian Had Plans to ‘F—k’ on January 11, 2024 at 4:01 am Us Weekly

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Shanna Moakler ,Travis Barker and Kim Kardashian. Michael Bezjian/Getty Images for Heroes’ Harvest ; Gotham/GC Images ; Allen Berezovsky/Getty Images

Shanna Moakler is claiming that Kim Kardashian played a part in the breakdown of her marriage to ex-husband Travis Barker.

During her Wednesday, January 10, appearance on the “Dumb Blonde” podcast, Moakler, 48, revealed that she and Barker, also 48, were “working” on their relationship when she was sent text messages between him and Kardashian, 43, from an anonymous source.

“They were trying to meet up at her sister’s house to f–k,” Moakler said of the alleged exchanges, claiming that when she showed the texts to Barker he “deleted them.” She also claimed that she called Kardashian, who denied the affair and said, “I don’t like white guys.”

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Moakler and Barker tied the knot in 2004 and welcomed their kids, son Landon and daughter Alabama, in 2003 and 2005, respectively. They first called it quits in 2006 but continued with an on-off relationship for two years before finalizing their divorce in 2008.

Related: Travis Barker, Shanna Moakler’s Ups and Downs: Explosive Divorce and More

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Travis Barker and Shanna Moakler’s relationship has been plagued with custody battles, cheating accusations and more. The former spouses originally called it quits in 2006 after two years of marriage and the arrival of son Landon and daughter Alabama. For the next two years, however, they continued an on-and-off relationship before finalizing their divorce in […]

While opening up about pulling the plug on her romance with Barker, Moakler noted that she and the drummer “never recovered” from the drama with Kardashian, which contributed to their split.

Barker, for his part, has denied that anything physical happened between him and Kim — “We went to dinner, we went to lunch,”  he wrote in his 2015 memoir, Can I Say: Living Large, Cheating Death, and Drums, Drums, Drums. Barker is now married to Kim’s sister, Kourtney Kardashian. The twosome wed in May 2022.

Keep scrolling for more revelations from Moakler’s “Dumb Blonde” podcast appearance:

On Travis Barker and Kim Kardashian

Moakler claimed that she and Barker were “working on things” in their relationship when someone “anonymously texted” her the rocker’s alleged conversations with Kim. “They were trying to meet up at her sister’s house to f–k,” she said. Moakler claimed the pair connected when Kim was shooting for Barker’s clothing brand.

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“I wanted this relationship to work. I was so in love with him,” she said, claiming she showed Barker the messages and he “deleted” them. “[He] said, ‘I don’t see anything.’”

She also allegedly called Kim. “She just said to me, ‘I don’t like white guys,’” Moakler recalled. “I was like, ‘You’ll f–k anyone to be famous.’ … Travis and I never really recovered from that. I felt stupid.”

Moakler also claimed she “caught” Barker with Lindsay Lohan. “He was living the rockstar life,” she explained. “We always came back to each other.”

Despite their issues, Moakler shared that she wanted to make it work for the family. “I was so in love with him,” she said. “I wanted my children to see their mother and father in love.”

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On the Kardashian Family

Moakler made headlines in 2021 when Alabama and Landon took to social media to share that Moakler wasn’t currently in their lives. While recalling their estrangement, Moakler said she felt like “parental alienation” began with Landon and Alabama when Barker started dating Kourtney.

“That shit was all getting played out in the press,” she explained, noting that the Kardashian family is a “media machine.”

“I just got f—king hammered. And bullied,” she continued. “And over my f–king kids. Who does that to someone with their own children? F–k you, that family.”

Moakler called the famous brood “disgusting,” noting that she would “never want to know them.”

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“I’m tired of people shitting on me. I don’t have to like that f–king family,” she said. “I’m not afraid of them and I don’t like them. I removed myself. I took a step back.”

Charley Gallay/Getty Images

On Travis Barker’s Plane Crash

After Barker was involved in a September 2008 plane crash that killed four people and left him with third-degree burns on 65 percent of his body, Moakler claimed she was trying to connect the musician with his children when she discovered emails of Barker bashing her parenting style.

“We got his computer … We were hoping him seeing the kids would give him the strength to keep fighting,” she explained. “When I was setting up his computer … I looked in his email and I saw all the emails from the women. That didn’t bother me, but I saw all these comments in these emails about what a shitty mother I was. I couldn’t f–king believe that he was the one behind some of those comments. I went home and cried in my mother’s arms for hours.”

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Moakler noted that “looking back now, I probably should’ve licked my wounds until he recovered.”

On Gerard Butler Rumors

Moakler shared that a misunderstanding between her and Barker over Moakler’s friendship with Gerard Butler also played a part in their divorce.

“I was going out, getting drunk. I was friends with Gerard Butler,” she said. “I saw him at the club and the paparazzi took pictures of us and made it seem like I was kissing him. I wasn’t. Travis saw it … and we never recovered.”

Moakler said that after the incident, Barker was “convinced” she had cheated on him but the pair ended up “living together” for the benefit of their kids. “We were coparents,” she explained. “We wanted to be there for our kids. Until like almost 2014.”

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The twosome continued to share a home until Moakler met now-ex Brian Sollima. The duo got “serious” so she told Barker, “I can’t be living with you anymore.”

“I stopped talking to [Travis] around 2014,” she continued. “We started following each other right before [Kourtney]. We still coparent. My oldest daughter is 24. My son is 20 years old. He’s living with his girlfriend [Charli D’Amelio]. They’re all talented.”

On Why Her Marriage With Travis Barker Broke Down

“He didn’t want to be known as a couple or a reality star,” she said, referring to the exes MTV show, Meet the Barkers. “He wanted to be known as a musician. He was so punk rock. He put an end to it [the show]. I think for him, he was the star. When it became about us as a couple, I wanted to be a power couple, he didn’t want that.”

On Travis Barker and Paris Hilton

Moakler claimed that after she and Barker first separated, she and Paris Hilton had a verbal altercation at Hyde nightclub in Los Angeles. (Moakler alleged that Barker had an affair with Hilton during their marriage.)

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“That was sort of the end of it all. He went to Paris,” she said. “At the time I guess he was talking to Kim too.”

Despite their problems, Moakler claimed she still helped Barker get sober after he had issues on tour. “It was like some Johnny Cash type shit,” she said. “Everyone wanted to be a rockstar. They needed him to go party and drink and meet bitches and feel cool. He had a family. We got back together and we were trying to heal over that.”

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On Falling for Oscar De La Hoya

“We just looked into each other’s eyes and it was just, like, ding. That was it. We had quite a whirlwind there,” she said of her romance with Oscar La Hoya, whom she began dating in 1997. She noted that while the boxer “does drink a lot,” he’s also a “very fun” person.” (La Hoya eventually popped the question but the pair called off their engagement in 2000.)

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“He loves to sing. He’s very social,” she said. “He was 25 when I met him. We were like babies.”

Moakler shared that she got pregnant with their daughter, Atiana, six months after meeting La Hoya, 50, and the twosome moved in together.

“We were madly in love,” she said. “I think our first date, like, I went to Big Bear and we took a private jet to Vegas. I remember people being like, ‘Champ, champ!’ I didn’t really know anything about the boxing world or him really. He’s very romantic. We just fell in love.”

On the Breakup With Oscar De La Hoya

Moakler claimed La Hoya did her “pretty dirty” with alleged infidelity after the birth of their daughter.

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“[Atiana] was about 1 and a half, two years old. There were all these third parties,” she claimed. “He just lost his first fight. … I met him at Universal, and said, ‘Do you want this anymore?”

Moakler said that La Hoya told her they’d reset their romance after he got back from shooting Late Night With David Letterman. “It was everything I wanted to hear in that moment,” she added.

According to Moakler, La Hoya then attended the Latin Grammy Awards in Los Angeles with Mille Corretjer without giving her a heads-up.

“There he is holding hands with his now ex-wife. I just remember I lost my breath,” she recalled. “There was no backlash [publicly]. I didn’t stand a chance. The next day they had a lawyer come to the house and say, you and the baby need to move out. It just became just a shitshow whirlwind. He never called me again. He had his assistant [tell me we were done]. I really thought in that moment that my life was over.”

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Moakler also claimed that she “quit everything” for La Hoya because he “did not want me working.”

On Claims Daughter Atiana Didn’t See Oscar De La Hoya Until She Was ‘About 16’

Moakler recalled an alleged conversation about child support after her split from La Hoya.

“He said, I won’t see you or the baby until she’s 16 [if she sued him for palimony],” she claimed. “He got out of the car, I’ll never forget this, and he goes, I have more money than God. Don’t be too hard on me. And he left. I cried. I sued him for palimony, and I won. I really didn’t have a choice.”

She added, “He didn’t see the baby and I until she was about 16. She didn’t know her father growing up. They’ve made amends. He’s made amends with me. He’s apologized.”

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Related: Shanna Moakler’s Ups and Downs With Her Kids

Feuding family. Shanna Moakler and her two children with ex Travis Barker are no strangers to butting heads on social media. The former pageant queen gave birth to son Landon and daughter Alabama in 2003 and 2005, respectively. She and the Blink 182 rocker went on to briefly split in 2006 after two years of […]

On Her Relationship With Her Children

“I have a great relationship with my kids,” she said. “Parental alienation is a real thing. I raised all my kids and I did a good job. My kids and I never had any bumps in the road until my ex-husband [Travis] started dating a Kardashian crew. I’m very confident in who I am as a mother. I’m very close with my kids.”

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On Travis Barker Being the Love of Her Life Over Oscar De La Hoya

Moakler recalled first meeting Barker while at the Standard in L.A.

“I didn’t know who Blink-182 was,” she explained. “He was in the middle of a divorce [from first wife Melissa Kennedy]. I was like, ‘I don’t want to deal with a guy going through a divorce,” she recalled. “Then the next week [I went back]. Travis was there again. This time, he came up to me, and I said, ‘What’s your sign’ or something like that. We went back to his hotel, listening to music.”

Moakler shared that when the pair kissed, she thought, “Holy shit, I just met the love of my life” and she got pregnant six months later. “Travis is definitely more the love of my life in more ways than Oscar,” she shared.

Shanna Moakler is claiming that Kim Kardashian played a part in the breakdown of her marriage to ex-husband Travis Barker. During her Wednesday, January 10, appearance on the “Dumb Blonde” podcast, Moakler, 48, revealed that she and Barker, also 48, were “working” on their relationship when she was sent text messages between him and Kardashian, 

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7 Filmmaking Lessons From Michael B. Jordan’s Oscar Moment

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Michael B. Jordan’s first Oscar win for Sinners isn’t just a milestone for his career — it’s a masterclass for filmmakers watching from the edit bay, the writing desk, or the no‑budget set.

For years, Jordan has been building toward this moment: from early TV roles to his breakout in Fruitvale Station, the cultural shockwave of Black Panther, and his evolution into a producer and director. His Sinners performance and awards run crystallize a set of habits, choices, and values that rising filmmakers can actually use.


1. “Find Your Coogler”: The Power of Long-Term Collaboration

Jordan’s professional story is inseparable from his collaboration with Ryan Coogler. They’ve moved together from intimate indie drama to franchise-level spectacle, and now to awards-season dominance with Sinners.


“Find your people and grow with them, not just next to them.”

For filmmakers, the takeaway is simple:

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  • Stop thinking in “one‑off” crews.
  • Start identifying the producers, DPs, editors, writers, and actors you want to build years of work with.

That kind of trust lets you move faster, go deeper, and take bigger risks together.


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2. Preparation That Lets You Jump Off the Cliff

Jordan has talked in interviews about preparing so thoroughly that he can “let go” when the cameras roll. The homework — script work, character study, physical training, emotional research — is what makes the risk possible.

You can translate that directly into a filmmaking workflow:

  • Do the table read.
  • Break down the script scene by scene.
  • Build visual references and emotional maps.

The more you handle before you’re on set, the more you can afford to explore, improvise, and discover in real time.


“Preparation buys you freedom on set.”


3. Take the “Bad Idea” Swing

A key pattern in Jordan’s choices is betting on material that doesn’t always look safe or obvious on paper. Roles and projects that feel intense, specific, or risky are often the ones that end up resonating the most.

For filmmakers, that means:

  • Stop sandpapering your scripts into something generic.
  • Start protecting the sharp edges — the personal details, the uncomfortable moments, the cultural specifics.

The project that scares you a little might be the one that actually breaks you out.


“If it feels too safe, it’s probably not big enough.”


4. One Hat at a Time (On Purpose)

Jordan is a modern multi-hyphenate — actor, producer, director — but he’s also strategic about when he wears which hat. On some projects, he leans fully into performance and trusts his team with everything else; on others, like Creed III, he steps behind the camera and takes on the entire vision.

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Filmmakers can learn from that restraint:

  • It’s okay to not direct, shoot, edit, and produce every single project.
  • Choosing one primary role per project can sharpen the overall result.

Ask yourself on each film: “What’s the one role where I add the most value here?” Then structure the team accordingly.

“You don’t have to do everything on every film.”


This image released by Warner Bros Pictures shows Michael B. Jordan portraying two characters in a scene from “Sinners.” (Warner Bros. Pictures via AP)

5. Build an Ecosystem, Not Just a Résumé

Through his company and slate, Jordan is doing more than collecting credits. He’s building an ecosystem where the stories he cares about have a home — a pipeline for voices, genres, and perspectives that might not get space elsewhere.

That’s a roadmap for independent filmmakers and media founders:

  • Create recurring spaces (a series, a channel, a festival, a label) where your sensibility is the default.
  • Think beyond the single film; think in seasons, slates, and communities.

Your “ecosystem” might start as a simple recurring short-film series on your site, or a curated block at a festival. Over time, it becomes infrastructure.

“Don’t just book jobs. Build a world.”


6. Honor the Lineage You Stand On

When he accepted his Oscar, Jordan made a point to acknowledge the Black artists and legends who paved the way before him. That posture matters. It keeps ego in check and places today’s wins inside a longer lineage of struggle and progress.

Filmmakers can mirror that by:

  • Citing their influences openly.
  • Educating themselves on the history of the craft, especially in their own communities.
  • Using their platforms to shine a light on peers and predecessors.

This isn’t just about being gracious; it’s about knowing you’re part of a story bigger than one awards season.


“Your win is a chapter, not the whole book.”


7. Let the Win Raise Your Standards

The most powerful thing about this moment is that it doesn’t feel like a finish line. Jordan’s energy reads as: this is motivation, not retirement. The recognition becomes pressure to work smarter, deeper, and more intentionally.

Filmmakers can turn every “win” — whether it’s an Oscar, a festival laurel, a viral clip, or a private email from someone impacted by your work — into fuel for the next draft and the next shoot.

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Ask:

  • What did I do well here that I can codify into my process?
  • Where did I get lucky, and how can I replace luck with craft next time?


“Treat every win as a new baseline, not a peak.”


Why This Matters for Our Community

At Bolane Media, we see Michael B. Jordan’s Oscar moment not just as a celebrity headline, but as a roadmap for emerging storytellers — especially those building from underrepresented communities and independent spaces.

If you’re a filmmaker reading this:

  • Identify one of these seven lessons.
  • Apply it to your next project, not the hypothetical big one five years from now.

Then share your work with us. We want to see what you build.


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How to Find Your Voice as a Filmmaker

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Every filmmaker aspires to create projects that are not only memorable but also uniquely their own. Finding your creative voice is a journey that requires self-reflection, bold choices, and an unwavering commitment to your vision. Here’s how to uncover your style, take risks, and craft original work that stands out.

1. Discovering Your Voice: Understanding Your Influences

Your unique voice begins with recognizing what inspires you.

  • Step 1: Reflect on the themes, genres, or emotions that consistently draw your interest. Are you inspired by human resilience, surreal worlds, or untold histories?
  • Step 2: Study the work of filmmakers you admire. Analyze what resonates with you—their use of color, pacing, or narrative techniques.

Tip: Combine what you love with your personal experiences to create a lens that only you can offer.

Example: Wes Anderson’s whimsical, symmetrical worlds stem from his love of classic storytelling and his unique visual style.

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Takeaway: Start with what moves you, then add your personal touch.

2. Taking Creative Risks: Experiment and Evolve

To stand out, you must be willing to challenge conventions and explore new territory.

Example: Jordan Peele blended horror with social commentary in Get Out, creating a genre-defying film that captivated audiences.

Takeaway: Risks are an opportunity for growth, even if they don’t always succeed.

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3. Telling Original Stories: Start with Authenticity

Original projects resonate when they stem from a place of truth.

  • Draw from Experience: Incorporate elements of your own life, culture, or worldview into your stories.
  • Explore the “Why”: Ask yourself why this story matters to you and how it connects with your audience.
  • Avoid Trends: Focus on timeless narratives rather than chasing current fads.

Example: Greta Gerwig’s Lady Bird was deeply personal, based on her experiences growing up in Sacramento. The film’s authenticity made it universally relatable.

Takeaway: The more personal the story, the more it resonates.

4. Developing Your Style: Consistency Meets Creativity

Style is not just about visuals—it’s how you tell a story across all elements of filmmaking.

  • Visual Language: Experiment with colors, lighting, and framing to create a distinct aesthetic.
  • Narrative Voice: Develop consistent themes or motifs across your projects.
  • Sound Design: Use music, sound effects, and silence to evoke specific emotions.

Example: Quentin Tarantino’s use of dialogue, pop culture references, and bold music choices makes his work instantly recognizable.

Takeaway: Your style should be intentional, evolving as you grow but always recognizable as yours.

5. Staying True to Yourself: Building Confidence in Your Vision

The filmmaking process is full of challenges, but staying true to your voice is essential.

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  • Stay Authentic: Trust your instincts, even if your ideas seem unconventional.
  • Adapt Without Compromise: Be open to feedback but maintain your core vision.
  • Celebrate Your Growth: View every project, successful or not, as a stepping stone in your creative journey.

Example: Ava DuVernay shifted from public relations to filmmaking, staying true to her voice in films like Selma and 13th, which focus on social justice.

Takeaway: Your voice evolves with every project, so embrace the process.

Conclusion: From Idea to Screen, Your Voice is Your Superpower

Finding your voice as a filmmaker takes time, courage, and commitment. By exploring your influences, taking risks, and staying true to your perspective, you’ll craft stories that not only stand out but also resonate deeply with your audience.

Bolanle Media is excited to announce our partnership with The Newbie Film Academy to offer comprehensive courses designed specifically for aspiring screenwriters. Whether you’re just starting out or looking to enhance your skills, our resources will provide you with the tools and knowledge needed to succeed in the competitive world of screenwriting. Join us today to unlock your creative potential and take your first steps toward crafting compelling stories that resonate with audiences. Let’s turn your ideas into impactful scripts together!

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When “Professional” Means Silent

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Michael B. Jordan and Delroy Lindo did not walk onto the BAFTA stage expecting to become a case study in how the industry mishandles racism in real time. They were there to present, hit their marks, and do what award shows have always asked of Black talent: bring charisma, sell the moment, keep the night moving.

Instead, while they stood under the lights, a man in the audience shouted the N‑word. The word carried across the theater and through the broadcast. The cameras kept rolling. The teleprompter kept scrolling. And the two men at the center of it did what they’ve been trained their entire careers to do: they kept going.

The incident was shocking, but the pattern around it was familiar.


The Apologies That Came After the Credits

In the days that followed, BAFTA released a public apology. The organization said it took responsibility for putting its guests “in a very difficult situation,” acknowledged that the word used carries deep trauma, and apologized to Michael B. Jordan and Delroy Lindo. It also praised them for their “dignity and professionalism” in continuing to present.

The man who shouted the slur, a Tourette syndrome campaigner, explained that his outbursts are involuntary and expressed remorse for the pain his tic caused. That context about disability matters. Any honest conversation has to hold space for the reality that not every harmful word is spoken with intent.

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But context doesn’t erase impact. For people watching at home—and especially for the men on that stage—the sequence was still the same: a slur detonated in the room, the show continued as if nothing happened, and the institutional response arrived later, in carefully crafted language.

Delroy Lindo summed up the experience by saying he and Jordan “did what we had to do,” and added that he wished someone from the organization had spoken with them directly afterward. That gap between polished statements and real‑time care is exactly where trust breaks down.


Who Is “Professionalism” Really Protecting?

Strip away the PR and a hard truth emerges: almost all of the pressure fell on the people who were harmed, not the people in charge.

On stage, “professionalism” meant Jordan and Lindo were expected to stay composed so the room wouldn’t be uncomfortable. Off stage, “professionalism” meant the institution focused on managing optics after the fact instead of disrupting the show in the moment.

That raises a question the industry rarely wants to confront:

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When we call for professionalism, whose comfort are we protecting?

For Black artists, professionalism has too often meant:

  • Take the hit and keep your face neutral.
  • Don’t make it awkward for the audience or the brand.
  • Don’t risk being labeled “difficult,” no matter how blatant the disrespect.

It’s easy to admire that composure. It’s harder to admit that the system routinely demands it from the very people absorbing the harm.


If It Can Happen There, It Can Happen Anywhere

This didn’t happen in a chaotic open mic or an unsupervised live stream. It happened at one of the most carefully produced film ceremonies in the world—an event with run‑of‑show documents, stage managers, and communication channels in everyone’s ears.

If an incident like this can unfold there without a pause, it can unfold anywhere:

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  • At a regional festival Q&A when an audience member crosses a line.
  • At a comedy show when someone heckles with a “joke” that’s really just a slur.
  • At a film panel where the only Black creator on stage gets a loaded question and is expected to smile through it.

The honest question for anyone who runs events isn’t “How could BAFTA let this happen?” It’s “What would we actually do if it happened in our room?”

Would your moderator know they have explicit permission to stop everything?
Would your team know who goes to the stage, who speaks to the audience, and who stays with the person targeted?
Or would you also be scrambling to get the language right in a statement tomorrow?


Redefining Professionalism in 2026

If this moment is going to mean anything, the definition of professionalism has to change.

Professionalism cannot just be “don’t lose your cool on stage.” It has to include the courage and structure to protect the people on that stage when something goes wrong.

A better standard looks like this:

  • Pause the show when serious harm happens. A clean program is not more important than a person’s dignity.
  • Acknowledge it in the room. Name what happened in clear terms instead of pretending it didn’t occur and quietly editing it later.
  • Center the person targeted. Check on them, give them options, and let their comfort—not the schedule—drive the next move.
  • Plan the response before you need it. Build safety and harassment protocols into your festival, awards show, or live event so no one is improvising under pressure.

Sometimes the most professional thing you can do is allow a little discomfort in the room. It signals that human beings matter more than the illusion of seamlessness.


The Standard Going Forward

Michael B. Jordan and Delroy Lindo did what they have always been rewarded for doing: they protected the show. They shouldn’t have had to.

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True respect for their craft and humanity would have looked like a room that moved to protect them instead—stopping the script, resetting the energy, and making it clear that the problem wasn’t their reaction, but the harm they’d just absorbed.

No performer should be asked to choose between their dignity and their career. So if you work anywhere in this industry—onstage or behind the scenes—this incident quietly handed you a new baseline:

Call it out.
Pause the show.
Back the person who was harmed.

That’s what professionalism should mean in 2026.

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